Bavouzet plays Beethoven and Debussy in Leeds

Von Sam Wigglesworth, 10 April 2013

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Howard Assembly Room, Leeds, am 25 März 2013

Beethoven, Klaviersonate Nr. 16 in G-Dur, Op.31 Nr.1

Beethoven, Klaviersonate Nr. 17 in d-Moll „Der Sturm", Op.31 Nr.2

Beethoven, Klaviersonate Nr. 18 Es-Dur "Jagd", Op.31 Nr.3

Debussy, 12 Études, L.136

Jean-Efflam Bavouzet, Klavier

Spannung im Überfluss bei Lutosławskis Dritter mit dem RFO

Michael Klier, 20th January

Mitreißender Spannungsbogen bei Lutosławskis Dritter Symphonie mit dem Radio Filharmonisch Orkest unter Edward Gardner und auch Jean-Efflam Bavouzet glänzte in Bartóks Erstem Klavierkonzert.

****1

Dreifacher Zauber?

Rolf Kyburz, 21st February

Eine "klassische", auf Klarheit und Transparenz bedachte Interpretation, mindestens ebenbürtig zu denen bekannter Spitzenorchester, in manchen Aspekten sogar überlegen: wo sonst bekommt man Rachmaninow in dieser Klarheit geboten?

****1

Jean-Efflam Bavouzet plays Ravel’s complete piano works

Edward Sava-Segal, 18th November

A coherent, finely balanced traversal in Alice Tully Hall is shaped by clarity, restraint and expressive poise.

*****

Mixed results from Dalia Stasevska's trio of 20th-century works

David Truslove, 12th March

Seldom heard and standard repertoire bring mixed results from Dalia Stasevska, the BBC Symphony Orchestra and BBC Symphony Chorus.

***11

Bavouzet’s Manchester Mozart cycle reaches its epic peak

Leighton Jones, 20th September

All good things must come to end, but Manchester Camerata's Mozart piano concerto cycle did so in exceptional style in Stoller Hall.

*****

Albéric Magnard steals the show in all-French recital at Wigmore Hall

Nick Boston, 15th November

How many of Albéric Magnard's 22 works do you know? Jean-Efflam Bavouzet and the Orsino Ensemble perform his Quintet in D minor to Wigmore Hall and it becomes the sixth star of the evening.

*****

Weitere Kritiken...

Sam Wigglesworth

Sam Wigglesworth contributed reviews to Bachtrack from 2012 to 2014. He studied at King's College London and, after a brief period producing concerts at St John's Smith Square, began working at Faber Music in 2014. He was Artistic Director of the Principal Sound Festival in 2016 and 2018.