Albéric Magnard steals the show in all-French recital at Wigmore Hall

Von Nick Boston, 16 November 2022

Laden, bitte warten...

Veranstaltung anzeigen

“Magnard exploits to the full the sheer power of the four combined wind instruments”

Rezensierte Veranstaltung: Wigmore Hall, London, am 15 November 2022

Debussy, Syrinx, für Flöte solo

Debussy, Première Rhapsodie

Sancan, Sonatine

Poulenc, Trio for piano, oboe and bassoon, FP 43

Magnard, Quintet in D minor for piano, flute, oboe, clarinet and basson, Op.8

Jean-Efflam Bavouzet, Klavier

Orsino Ensemble

Adam Walker, Flöte

Nicholas Daniel, Oboe

Matthew Hunt, Klarinette

Amy Harman, Fagott

Spannung im Überfluss bei Lutosławskis Dritter mit dem RFO

Michael Klier, 20th January

Mitreißender Spannungsbogen bei Lutosławskis Dritter Symphonie mit dem Radio Filharmonisch Orkest unter Edward Gardner und auch Jean-Efflam Bavouzet glänzte in Bartóks Erstem Klavierkonzert.

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Dreifacher Zauber?

Rolf Kyburz, 21st February

Eine "klassische", auf Klarheit und Transparenz bedachte Interpretation, mindestens ebenbürtig zu denen bekannter Spitzenorchester, in manchen Aspekten sogar überlegen: wo sonst bekommt man Rachmaninow in dieser Klarheit geboten?

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Jean-Efflam Bavouzet plays Ravel’s complete piano works

Edward Sava-Segal, 18th November

A coherent, finely balanced traversal in Alice Tully Hall is shaped by clarity, restraint and expressive poise.

*****

Mixed results from Dalia Stasevska's trio of 20th-century works

David Truslove, 12th March

Seldom heard and standard repertoire bring mixed results from Dalia Stasevska, the BBC Symphony Orchestra and BBC Symphony Chorus.

***11

Bavouzet’s Manchester Mozart cycle reaches its epic peak

Leighton Jones, 20th September

All good things must come to end, but Manchester Camerata's Mozart piano concerto cycle did so in exceptional style in Stoller Hall.

*****

Bavouzet et Shishkin à Bellerive : deux pianos, vingt doigts fabuleux

Jean Landras, 14th July

Ce 14 juillet, la Ferme de Saint-Maurice a résonné de la poésie et de l'éclat de pièces de Debussy, Liszt, Bartók et Ravel, en clôture du Festival de Bellerive.

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Nick Boston

Nick has an MA in Music, specialising in performance and repertoire. His particular passions are choral music, chamber music and opera, with a particular interest in early music. He sings in a number of choirs in the south east of England, plays the piano and occasionally dusts off the violin. He writes about music here.