Mozart's Il re pastore enchants Rome

Miriam Albano (Aminta) and Francesca Pia Vitale (Elisa)

Il re pastore

Juan Francisco Gatell (Alessandro)

Benedetta Torre (Tamiri) and Krystian Adam (Agenore)

Von Pia Maltri, 16 Mai 2025

Laden, bitte warten...

Veranstaltung anzeigen

“Miriam Albano... delivered a flawless performance”

Rezensierte Veranstaltung: Teatro Nazionale, Rome, am 14 Mai 2025

Mozart, Il re pastore

Teatro dell'Opera di Roma

Manlio Benzi, Musikalische Leitung

Cecilia Ligorio, Regie

Gregorio Zurla, Bühnenbild

Vera Pierantoni Giua, Kostüme

Fabio Berettin, Licht

Orchestra del Teatro dell'Opera di Roma

Miriam Albano, Aminta

Francesca Pia Vitale, Elisa

Benedetta Torre, Tamiri

Krystian Adam, Agenore

Juan Francisco Gatell, Alessandro

Grigolo shines in a mixed new Roméo et Juliette at the Opera di Roma

Pia Maltri, 28th April

With its 1940s setting, Luca Del Fusco’s direction alienates in a new production of Gounod's Shakespeare-inspired opera.

***11

Handel’s Il trionfo del tempo e del disinganno returns to Rome

Pia Maltri, 7th April

Robert Carsen’s staging of Handel's oratorio arrives, via Salzburg, in the city where Handel composed it in 1707.

****1

Ariadne in Rome: David Hermann’s Strauss staging highlights contrasts

Pia Maltri, 1st March

In an opera rarely staged in Italy, David Hermann skilfully masters the metatheatrical challenges posed by the libretto to Ariadne auf Naxos.

****1

Abandon all hope: Lucia Ronchetti's Inferno receives Italian premiere

Pia Maltri, 19th February

The Italian premiere of Lucia Ronchetti’s Inferno at the Teatro dell’Opera di Roma uses Dante’s original verses, but her score fails to match their beauty.

***11

Livermore’s successful Bohème opens at the Teatro dell'Opera di Roma

Pia Maltri, 14th January

Originally staged at the Caracalla Baths in 2014, Davide Livermore’s production comes in from the cold.

****1

Wagner’s Lohengrin finally returns – swanless – to Rome

Pia Maltri, 27th November

Damiano Michieletto is entrusted with the first staging of Lohengrin in Rome for 50 years, but his distracting staging is redeemed by the musical side of things.

***11

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Pia Maltri

Pia first fell head over heels for opera when she was a teenager by listening to recordings of some of the great voices of the past: Maria Callas, Giuseppe Di Stefano, Mirella Freni, Alfredo Kraus. She holds a degree in Italian Literature and she lives in Rome.