Montreal Symphony Orchestra and Cirque Éloize in Ravel’s Daphnis and Chloé

Von Alan Yu, 30 Mai 2012

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Maison symphonique, Montreal, am 28 Mai 2012

Berlioz, Der Korsar, Op. 21: Ouvertüre

Schostakowitsch, Violinkonzert Nr. 1 in a-Moll, Op.77 oder Op.99

Ravel, Daphnis und Chloé

Orchestre Symphonique de Montréal

Kent Nagano, Musikalische Leitung

Andrew Wan, Violine

Cirque Éloize

Cirque Éloize: hold onto your hats for a thrilling ride

Deborah Weiss, 19th September

Cirque Éloize's iD Reloaded is a visually stunning performance packed with excitement and dare-devil acts.

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Ein Gespür für die Partitur: Kent Nagano in München

David Renke, 21st March

Bei seiner Abschiedstournee mit dem Orchestre symphonique de Montréal zeigt Nagano nuancenreiche Interpretationen.

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Rafael Payare and his Montrealers show off their jazz chops

Ian Cochrane, 11th March

Rafael Payare boldly programmes Kinan Azmeh's Suite for Improvisor and Orchestra in a diverse concert bill that also features long-standing Principal Flute Timothy Hutchins.

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A national treasure revisits Montreal: Angela Hewitt plays Mozart

Ian Cochrane, 28th February

Angela Hewitt joins the Orchestre symphonique de Montréal for an exquisite rendering of a Mozart concerto, and Leonard Slatkin conducts Tchaikovsky's Winter Daydreams.

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Last minute jump-in Hankyeol Yoon saves the day in Montreal

Ian Cochrane, 21st January

Virtuosic Alina Ibragimova joins the Orchestre symphonique de Montréal for a dynamite performance of Stravinsky’s Violin Concerto, while youthful conductor Hankyeol Yoon leads polished Rachmaninov.

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Payare, Lamsma and the OSM: Korngold and Bartók in Montreal

Ian Cochrane, 3rd December

The Orchestre Symphonique de Montréal (OSM), conductor Rafael Payare, and violin soloist Simone Lamsma joined forces in a program that featured seminal works by two musical titans who settled in the United States after fleeing Europe in the mid-twentieth century.

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Weitere Kritiken...

Alan Yu

The first concert Alan attended was Mahler’s Das Lied von der Erde. For 7 years he presented classical music programmes for Radio Television Hong Kong, partly to pay his way through university. He attends concerts whenever he can and believes there is no substitute for the thrill of live performances. He writes here.