Paul Lewis brings Schubert's late piano sonatas to Philadelphia

Von Cameron Kelsall, 13 November 2024

Laden, bitte warten...

Veranstaltung anzeigen

“an artist invigorated by familiar music”

Rezensierte Veranstaltung: Kimmel Center, Perelman Theater, Philadelphia, am 12 November 2024

Schubert, Klaviersonate Nr. 19 in c-Moll, D958

Schubert, Klaviersonate Nr. 20 in A-Dur, D959

Schubert, Klaviersonate Nr. 21 in B-Dur, D960

Paul Lewis, Klavier

Ein kongeniales Konzert von Bernard Haitink in Berlin

Sebastian Urmoneit, 10th May

Bernard Haitink zeigt einmal mehr, warum er als einer der größten Bruckner-Dirigenten gilt.

*****

Paul Lewis balances delicacy with power in understated RLPO Beethoven

Glyn Mon Hughes, 12th March

Understatement is key in Paul Lewis' interpretation of Beethoven's Third Piano Concerto with the Royal Liverpool Philharmonic under Adam Hickox.

***11

Sprechstimme and yodelling: Schubert’s birthday bash at Wigmore Hall

Mark Pullinger, 31st January

A double-header celebrates Schubert featuring Allan Clayton and Paul Lewis in Winterreise and the Austrian folk/rock band The Erllkings.

****1

Denève, Lewis and the Netherlands Radio Phil in Utrecht

Laurence Vittes, 23rd January

At TivoliVredenburg’s Grote Zaal: a program of Beethoven, Liszt, and Schumann that, intentionally or not, invited reflection on long-range musical continuity.

***11

Concerto Budapest delivers Beethoven with high-octane fire in Dublin

Andrew Larkin, 29th November

András Keller’s orchestra offers intensity, finesse and sheer dramatic sweep, from Tchaikovsky’s infernal tragedy to a Beethoven Fifth Symphony driven with exhilarating momentum.

****1

Magnificent Beethoven and Sibelius, intriguing Nørgård in Manchester

Peter Connors, 22nd March

Per Nørgård’s Eighth Symphony is the unusual opener in a programme of magnificent Beethoven and Sibelius from the BBC Philharmonic, Paul Lewis and John Storgårds at the Bridgewater Hall.

****1

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Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.