Prom 59: Berlioz with a bronze glow

Von Mark Pullinger, 03 September 2019

Laden, bitte warten...

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“Spyres’ interpretation is exhilarating, high on energy”

Rezensierte Veranstaltung: Royal Albert Hall, London, am 2 September 2019

Berlioz, Benvenuto Cellini (Concert performance; sung in French, with surtitles)

Sir John Eliot Gardiner, Musikalische Leitung

Noa Naamat, Regie

Sarah Denise Cordery, Kostüme

Michael Spyres, Benvenuto Cellini

Sophia Burgos, Teresa

Maurizio Muraro, Giacomo Balducci

Tareq Nazmi, Papst Clemens VII

Vincent Delhoume, Francesco

Ashley Riches, Bernardino

Lionel Lhote, Fieramosca

Adèle Charvet, Ascanio

Peter Davoren, Ein Cabaretier

Alexander Ashworth, Pompeo

Rick Fisher, Licht

Monteverdi Choir

Orchestre Révolutionnaire et Romantique

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Dominic Lowe, 30th November

Questionable conducting aside, The Royal Opera's latest revival of Damiano Michieletto’s fluid production of the famous operatic double-bill is terrifically executed by two excellent casts.

****1

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With more cast reshuffles than in Downing Street of late, this revival of Damiano Michieletto's intertwined Cavalleria rusticana and Pagliacci double bill triumphs against the odds.

*****

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François Jestin, 29th August

Au Festival Berlioz, Sir John Eliot Gardiner dirige une éclatante production de Benvenuto Cellini, avec un grand Michael Spyres et une intelligente mise en espace de Noa Naamat.

****1

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Mark Valencia, 21st July

The young singers spin any raw material into opera gold, sending the audience home as uplifted as if they’d just glugged a bellyful of Pimm’s.

****1

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A post-mortem fantasy that’s as compelling as it is confusing.

****1

Parsifal an der Wiener Staatsoper: und es ward Licht im Gralsgefängnis

Snapdragon, 5th April

Die Inszenierung von Kirill Serebrennikov passt zwar nicht zur Atmosphäre, gesanglich – mit Klaus Florian Vogt in der Titelrolle – begeistert die Vorstellung jedoch umso mehr.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Prom 59: Berlioz with a bronze glow as Benvenuto Cellini crowns 150th anniversary