The Fairy Queen at the Theater an der Wien

Von Zwölftöner, 04 März 2012

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Veranstaltung anzeigen

Rezensierte Veranstaltung: Theater an der Wien, Wien, am 1 März 2012

Purcell, The Fairy Queen

The King's Consort

Robert King, Musikalische Leitung

Lucy Crowe, Sopran

James Gilchrist, Tenor

Julie Cooper, Sopran

Rebecca Outram, Sopran

David Wilson-Johnson, Bass

Peter Nardone, Countertenor

Messias mit dem King's Consort in Essen

Jens Klier, 18th December

Eine etwas zu besinnliche Messias-Tradition verhindert ein spannenderes, abwechslungsreicheres Erlebnis, das aber vom Ensemble hervorragend musiziert wurde.

***11

The King’s Consort ofrece un Mesías moderado en el Auditorio

Ramón del Buey Cañas, 17th December

El planteamiento y la ejecución de Robert King fueron los de un Mesías con las virtudes y los defectos de lo domesticado.

***11

Festkonzert with Carolyn Sampson: Handel's Heroines

Sandra Bowdler, 13th June

Carolyn Sampson returns joyfully to the Halle Handel Festival, accompanied by trumpeter Neil Brough and the King's Consort under Robert King.

****1

Homenaje a Shakepeare

Pablo FitzGerald Cerdán, 2nd February

The King's Consort realizan un viaje por el siglo XVII inglés, con música escrita en torno a las obras de Shakespeare.

*****

Fitting Handel like a glove

Travis Mason, 14th January

Iestyn Davies and The King's Consort a real highlight at the Valletta International Baroque Festival.

****1

An Acis and Galatea without sparkle in Versailles

Vesna Gerintes, 28th June

Handel’s original version of Acis and Galatea was written in 1717–18 at Cannons, a stately home in Middlesex. Composed with light orchestration, it was not meant to be performed in an opera theatre, but rather in this private mansion.

**111

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Zwölftöner

Zwölftöner is a doctoral student based in Vienna, Austria. Interests include opera and orchestral, chamber, piano and contemporary music.