The Fairy Queen at the Theater an der Wien

Par Zwölftöner, 04 mars 2012

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Critique faite à Theater an der Wien, Vienne, le 1 mars 2012

Purcell, The Fairy Queen

The King's Consort

Robert King, Direction

Lucy Crowe, Soprano

James Gilchrist, Ténor

Julie Cooper, Soprano

Rebecca Outram, Soprano

David Wilson-Johnson, Basse

Peter Nardone, Contre-ténor

The King’s Consort ofrece un Mesías moderado en el Auditorio

Ramón del Buey Cañas, 17th December

El planteamiento y la ejecución de Robert King fueron los de un Mesías con las virtudes y los defectos de lo domesticado.

***11

Festkonzert with Carolyn Sampson: Handel's Heroines

Sandra Bowdler, 13th June

Carolyn Sampson returns joyfully to the Halle Handel Festival, accompanied by trumpeter Neil Brough and the King's Consort under Robert King.

****1

Messias mit dem King's Consort in Essen

Jens Klier, 18th December

Eine etwas zu besinnliche Messias-Tradition verhindert ein spannenderes, abwechslungsreicheres Erlebnis, das aber vom Ensemble hervorragend musiziert wurde.

***11

Homenaje a Shakepeare

Pablo FitzGerald Cerdán, 2nd February

The King's Consort realizan un viaje por el siglo XVII inglés, con música escrita en torno a las obras de Shakespeare.

*****

Fitting Handel like a glove

Travis Mason, 14th January

Iestyn Davies and The King's Consort a real highlight at the Valletta International Baroque Festival.

****1

An Acis and Galatea without sparkle in Versailles

Vesna Gerintes, 28th June

Handel’s original version of Acis and Galatea was written in 1717–18 at Cannons, a stately home in Middlesex. Composed with light orchestration, it was not meant to be performed in an opera theatre, but rather in this private mansion.

**111

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Zwölftöner

Zwölftöner is a doctoral student based in Vienna, Austria. Interests include opera and orchestral, chamber, piano and contemporary music.