Bachtrack logo
Termine
Alle VeranstaltungenKonzerteOperTanzKinderMeisterkurseWettbewerbeFestspiele
Kritiken
Alle KritikenKonzertkritikenOpernkritikenTanzkritiken
Artikel
Alle ArtikelReportagenInterviewsKommentarPlaylist
Neuigkeiten
Video
Video homeAlle VideosStreamsKonzerteOperTanzKinderMeisterkurseHerausgeber
Seite
Über unsKontaktVerlinkenNutzungsbedingungenCookiesDatenschutz
Young artists
Reise
TermineKritikenArtikelVideo

A thrilling Russian return to the concert hall for Søndergård and the RSNO

Von David Smythe, 23 Oktober 2021
Laden, bitte warten...
Veranstaltung anzeigen
“the RSNO illustrated this Russian fairy tale vividly”
Rezensierte Veranstaltung: Usher Hall, Edinburgh, am 22 Oktober 2021
Programm
Rooke, The Isle is Full of Noises!
Schostakowitsch, Festouvertüre in A-Dur, Op.96
Tschaikowsky, Rokoko-Variatonen in A-Dur, für Cello und Orchester, Op.33
Strawinsky, The Firebird
Darsteller
Royal Scottish National Orchestra
Thomas Søndergård, Musikalische Leitung
Bruno Delepelaire, Cello
Weitere Konzert Kritiken
Stephen Hough makes a convincing case for Rachmaninov 1 with the RSNO
Simon Thompson, 24th April
On a return visit to the Royal Scottish National Orchestra, John Wilson shapes A London Symphony with melancholy sweep. 
****1
Kristiina Poska makes an exciting return to conduct the RSNO
Simon Thompson, 20th March
Kristiina Poska directs the RSNO in gripping Tchaikovsky and Pärt, but words and music only occasionally match in Elena Langer's new song cycle.
***11
Felix Klieser plays Strauss with the RSNO, before Bruckner exodus
Simon Thompson, 21st February
Felix Klieser is quietly remarkable as he plays Strauss' First Horn Concerto with the RSNO, but why did so many people walk out during Bruckner's Eighth Symphony?
****1
Giedrė Šlekytė conducts the RSNO in passionate, exciting Mahler
Simon Thompson, 5th December
Giedrė Šlekytė makes a stellar conducting debut with the RSNO, while violinist Nemanja Radulović has a great look but a disappointingly ordinary sound.
****1
Mahler magic: RSNO opens season with the Seventh Symphony
Simon Thompson, 3rd October
The Royal Scottish National Orchestra and Thomas Søndergård open their season, continuing their Mahler cycle, with the Seventh Symphony.
****1
A dramatic, declamatory Elijah closes the 2025 Edinburgh Festival
Simon Thompson, 24th August
The festival’s closing concert brings drama from the RSNO and conductor Thomas Søndergård, but Christopher Maltman's Elijah brings the presence of greatness. 
****1
Weitere Kritiken...
Kritiken von
Bruno DelepelaireDmitrij SchostakowitschFestouvertüre in A-Dur, Op.96Igor StrawinskyMembers of the Royal Scottish National OrchestraPeter Iljitsch TschaikowskyRokoko-Variatonen in A-Dur, für Cello und Orchester, Op.33Royal Scottish National OrchestraThe FirebirdThomas Søndergård
Verwandte Artikel
Loading image...
Anarchie und Utopie: Calixto Bieito über Mussorgskys Chowanschtschina
Loading image...
Elim Chan: vom Zauberlehrling zur Proms Queen
Loading image...
Höchster Glanz: der komplette Herbert von Karajan
Loading image...
Mein Vater, der Maestro: Jamie Bernstein
Mehr von David Smythe
Loading image...
Saxophone dreams with Jess Gillam and the SCO delight in St Andrews
Loading image...
Astonishing Mahler 2 from Runnicles and the BBC Scottish SO
Loading image...
Expecting the unexpected: Baroque inspirations from Emelyanychev and the SCO
Loading image...
East meets West in Dai Fujikura’s The Great Wave at Scottish Opera
David Smythe
David Smythe
David the farmer was drawn into music through choirs, orchestras, taking part in and directing 'serious' opera as a student. Passionate about live classical music, particularly chamber opera, unusual pieces and events and giving the next generation the tools to engage with the classical world.