Zehetmair's Ravel and Saint-Saëns refreshes the spirit in Sheffield

Von Steve Draper, 06 März 2022

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Sheffield City Hall: Oval Hall, Sheffield, am 5 März 2022

Ravel, Le Tombeau de Couperin

Mozart, Sinfonia Concertante für Violine und Bratsche Es-Dur, K364 (K320d)

Mozart, Thamos, King of Egypt (König in Ägypten), K345: Entr'actes

Saint-Saëns, Sinfonie Nr. 2 a-Moll, Op.55

Thomas Zehetmair, Violine, Musikalische Leitung

Ruth Kilius, Viola

Royal Northern Sinfonia

Ein Morgen davor und danach: New Beginnings der RNS

Jens Klier, 16th April

Anfänge, Leichtigkeit und schwere Träume machten den tatsächlichen Konzertabend des Frühlings zu einem hellen Tag der Beflügelung und Anteilnahme.

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Patriotic angst with the Royal Northern Sinfonia and Thomas Zehetmair

Nick Butters, 24th April

Patriotic Sibelius and early Mendelssohn are served up at the Glasshouse in Gateshead.

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A new light on Mendelssohn at the Glasshouse

Nick Butters, 6th March

Nil Venditti arrives like a small, joyful bomb at The Glasshouse and lights up a familiar Mendelssohn symphony with new insights.

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Sir Bryn Terfel charms Glasshouse audience in reimagined Schubert

Nick Butters, 21st November

Terfel’s charismatic account of Schubert songs orchestrated by a variety of composers, Sofia Gubaidulina’s meditation on his Impromtu and the composer’s own longest symphony make a varied and rewarding evening at The Glasshouse, Gateshead.

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Ticket to ride: thrilling, moving witty Berio at the Glasshouse

Nick Butters, 11th October

Sophia Burgos and members of Royal Northern Sinfonia charm, amuse and astonish in a selection of Luciano Berio’s works at the Glasshouse.

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Hymn of Praise: thrilling Mendelssohn at the Glasshouse

Nick Butters, 26th July

As the BBC Proms visits Gateshead, Dinis Sousa and the Royal Northern Sinfonia excel in Mendelssohn, although David Fray's Bach underwhelms.

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Weitere Kritiken...

Steve Draper

After studying music at Oxford, Steve worked in education for thirty years. He has followed and been involved with music in the north of England throughout and has written classical reviews for The Yorkshire Post. Steve has a particular interest in performances in Sheffield, his home city.