Voyage dans les rouages du piano : l'art méconnu des accordeurs

Lénie Carpentras officie sur le piano d'uNopia

Frédéric Delcorn au festival Jazz in Marciac

Un concert sous la conque de La Roque d'Anthéron (en 2023)

By Thibault d'Hauthuille, 08 August 2025

Loading, please wait...

“C’est un métier très artisanal, qui demande une grande concentration et une précision d’orfèvre”

Related content

Bachtrack top ten: Frédéric Chopin

Mark Pullinger, 1st March

Ten works revealing the paradox of Chopin: a composer outwardly delicate, inwardly steely; rooted in Polish dance rhythms, yet formed in Parisian sophistication.

A riot of concertos: Hastings International Piano Competition

Jessica Duchen, 4th February

Vanessa Latarche, professor of Piano at the Royal College of Music and chair of Hastings’ jury, talks about what makes the competition special, working with Sir Stephen Hough, and being a stickler for fairness.

Eric Lu wins the 19th Chopin Competition

Bachtrack, 21st October

A 17-person international jury has selected Eric Lu as the first prize winner of the illustrious competition after 15 days of competition.

Celebrated Neapolitan pianist Maria Tipo dies at 93

Bachtrack, 11th February

Widely admired for her recordings of Scarlatti and Clementi, Maria Tipo was a prolific concert artist and influential teacher at conservatories in Florence, Geneva and Bolzano.

Dances and mountains: Cristian Sandrin’s new Goldberg Variations

Lawrence Dunn, 19th December

Ahead of a performance at London’s Sinfonia Smith Square, pianist Cristian Sandrin talks about commissioning three new variations from composers Farhad Poupel, Louise Drewett and Philip Dutton, and his aim to create a new view of Bach’s music.

A help in times of trouble: Andrey Gugnin

Jessica Duchen, 18th September

The Russian pianist talks about his recent triumph at the Classic Piano International Competition in Dubai – and how his opposition to the war in Ukraine has changed his musical life.

Thibault d'Hauthuille

Partageant sa vie entre Toulouse où il exerce un métier d'accompagnement des institutions musicales (contribuant à structurer l’expérience du public, de la découverte à la fidélisation) et sa maison nichée dans les boucles du Lot où il héberge son Érard de 1898, Thibault écoute passionnément de la musique depuis plus de 40 ans. Amateur de beau son en haute fidélité, il cherche dans une quête sans fin à reproduire dans son salon la vérité sensible qu'il entend en concert.