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Ensemble 360’s Music in the Round concert is a homage to the 20th-century English industrialist Walter Willson Cobbett... and also to the enduring popularity of The Lark Ascending. 

Vox Luminis, directed by Lionel Meunier and his dozen hand-picked singers, delight with a virtuosic performance of Purcell’s King Arthur at the Valletta Baroque Festival.

Holland Baroque brings Silk Baroque to the Valletta Baroque Festival showcasing Wu Wei on sheng and erhu with music from traditional Chinese through Bach arranged with a modern twist.

The accumulated experience of over 160 years of quartet playing is revealed in an intensity of passion undimmed by the passage of time in this exhilarating concert by the Brodskys.

A dramatic new opera from Errollyn Wallen, with the Dunedin Consort, chorus and a strong cast including Isabelle Peters, Matthew Brook, Nardus Williams and Allison Cook.

Percussionist Louise Goodwin and the Scottish Chamber Orchestra take us on an exhilarating rhythmic 300 year ride.

Life, death, childhood, community and love are celebrated in Songs for Life by Karen Cargill with the Scottish Ensemble in an exquisitely filmed performance.

King Arthur is an opera without a plot and, in musical terms at least, Arthur without the King.

In the unlikeliest of pairings at RCS, Purcell’s Dido and Aeneas finds resonance with Bernstein’s Trouble in Tahiti, delivered with spirited commitment.

With marvellous cohesion, life and wit the Gabrieli Consort and Players, sponsored by State Opera of South Australia, who thrilled Adelaide audiences with their presentation of English Baroque.