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The Swedish clarinettist pays tribute to two jazz legends in Joshua Weilerstein's programme that includes Proms debutante, Elsa Barraine, and Rachmaninov.

Sally Beamish's Distans received its UK premiere, along with the Seventh Symphony in Noseda's ongoing Prokofiev cycle with the LSO.

Weathered, Anna Clyne’s new clarinet concerto which showcases the remarkable skills of Swedish player Martin Fröst, receives its UK premiere.

An evening of “French Beauties and Swedish Beasts” from the Swedish clarinettist, demonstrating phenomenal tone and dare-devil risk-taking. 

Works by Rolf Liebermann, Mozart and Mahler recently brought down the house at Zurich’s Tonhalle Maag, in no small part because of Martin Fröst’s illuminating performance.

The Swedish clarinetist's recital in Alice Tully Hall, part of the Great Performers at Lincoln Center series, was as thrilling and rewarding as any before. 

Three works written in the turbulent years after the end of World War 2 were featured in this dynamic concert with the BBCSO under the baton of Sakari Oramo.

For all its ambition, the première of Jesper Nordin’s Emerging from Currents and Waves at the Baltic Sea Festival consisted of little more than slick surfaces and displays of overload

As part of the annual Schubertiade festival, clarinettist Martin Fröst and pianist Roland Pöntinin recently gave an unforgettable recital.

Starting her Perspectives series, Janine Jansen invited three outstanding musicians to join her in 20th century repertoire.

If not the ideal first half to precede the Quartet for the End of Time, there could be no quarrel with the execution thoroughout.

A sizzling combination of classical, jazz and folk-inspired music from Fröst and the Academy which drifted across continents with consummate skill.

In this last concert in the Leipzig Gewandhaus and Riccardo Chailly’s brief residency at the Barbican, all concerned were on top form. 

A lively program with soloist Martin Fröst, in his HS debut, leaving a deep impression in Copland.

What a debt clarinettists owe to Anton Stadler and Richard Mühlfeld! Muses for Mozart and Brahms respectively, they were inspirations for some of the most glorious works written for the instrument.

Marc-André Hamelin, Martin Fröst and Anthony Marwood join forces at Wigmore Hall in a great selection of mainly 20th century classics by Debussy, Stravinsky, Bartók and Poulenc.

Even if the joke is good, it’s all in the telling, as they say. Mozart’s Ein musikalischer Spaß (“A Musical Joke”) is good, but it probably meant more to its contemporaries than it does to us today. It is Mozart’s satire of the incompetent composers, musicians and copyists of his time. It’s an inside joke, for all practical purposes.

Leif Ove Andsnes founded the Risør Festival only nine years ago, but it's already an important part of the European calendar. Risør is unique because it's a musicians' festival. Everyone gets together in this small Norwegian town, no matter how famous they are. This atmosphere's great for chamber music, so the Wigmore Hall is an ideal second home for Risør in London.