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Melbourne-born soprano Sioghan Stagg returns for a one night stand with Kristian Bezuidenhout and the Freiburg Baroque Orchestra as part of their Australian tour.

Kristian Bezuidenhout joins the ACO for a piecemeal programme leading to a complete performance of Beethoven's Emperor Concerto. 

With two cantatas for solo alto bookending the Third Brandenburg Concerto, The English Concert bewitches in this late-night all Bach programme. 

A scintillating account of an all-Mozart programme at St Martin-in-the-Fields with a mighty concerto, a mightier symphony and one of his more unusual overtures.

Bezuidenhout and the Handel and Haydn Society offer the Boston audience an entirely different sound world where the music sings in a new voice. 

Jonathan Cohen led The Cleveland Orchestra in sparkling performances of works by Handel and Mozart, with pianist Kristian Bezuidenhout as a brilliant soloist in Haydn.

Egarr, Bezuidenhout and the MSO are the perfect match in this celebration of Mozart's wit and genius, delivering historically grounded and exhilarating interpretations of treasured favourites.

One of the reasons why the programmes of the Australian Chamber Orchestra are both challenging and inspiring is because of the ensemble’s always interesting and thought-provoking approach to repertoire.

Mozart's “pasticcio concertos”, composed at the remarkable age of 11, may lack integral vibrancy and brilliance, but are brought to life by an exuberant Bezuidenhout

An evening at the Wigmore Hall with the fabulous Freiburg Baroque Orchestra and fortepiano star Kristian Bezuidenhout in the keyboard concertos of CPE Bach and Mozart. What could go wrong? 

An intensely musical and thought-provoking Beethoven recital at Wigmore Hall from Matthias Goerne and Kristian Bezuidenhout.

Mark Padmore and Kristian Bezuidenhout conclude their trilogy of Schubert song cycles at Lincoln Center's White Light Festival with a brave and profoundly moving account of Winterreise.

Ahead of its late-summer tour, the Royal Concertgebouw Orchestra warms up with two programmes in what are considered high points of the Robeco Summer Nights. 

Perhaps the best jokers keep the straightest faces. For much of this evening at Wigmore Hall, the body language of the Freiburg Baroque Orchestra portrayed serious musicians going about their serious business. 

Carl Philipp Emanuel Bach is often described as a crucial composer in the transition between the Baroque and Classical periods, but we never seem to be able to move beyond this image.

Tragicomedia presented a jewel-box of baroque cantatas at Gilder Lehrman Hall at the Morgan Library Museum. The elite ensemble, directed by Stephen Stubbs, includes some of America’s finest Baroque musicians, who can improvise in the style as well. Friday evening’s concert also featured soprano Shannon Mercer and bass-baritone Douglas Williams.