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Three sopranos and three tenors express a catalogue of "affections" in musical numbers full of coloratura and virtuosic effects that are already 100% Mozart despite the young age of the composer.

A fresh, gleaming production of director Elena Barbalich, with as much vaudeville as possible

Juditha triumphans in a minimalist production at Venice's Teatro La Fenice. 

Elena Barbalich's mis-en-scene for Le nozze di Figaro in Turin seemed a swirling game of Chinese boxes, but the vocal performances were full of vitality.