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Classical music, opera, ballet and dance in Venice, Italy

Use Bachtrack's search facility to find concerts, opera and dance events not only in this city but right around the world. Bachtrack has the largest number of upcoming events of any website, and if you want to read reviews of events which have taken place here, or in another country, you can search here for exactly the reviews which interest you.

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VeniceL'incoronazione di Poppea

Listing filler
Monteverdi: L'incoronazione di Poppea, SV 308
Iván Fischer; Hannah Gelesz; Andrea Tocchio; Anna Biagiotti; Tamás Bányai; Valer Sabadus


Beethoven: Fidelio
Myung-whun Chung; Joan Antón Rechi; Teatro La Fenice; Tamara Wilson; Ian Koziara

VeniceLe baruffe

Battistelli: Le baruffe
Enrico Casari; Damiano Michieletto; Teatro La Fenice; Paolo Fantin; Carla Teti; Alessandro Luongo; Silvia Frigato

VeniceI lombardi alla prima crociataNew production

Verdi: I lombardi alla prima crociata
Sebastiano Rolli; Valentino Villa; Teatro La Fenice; Antonio Corianò; Michele Pertusi; Roberta Mantegna; Antonio Poli


Gounod: Faust
Frédéric Chaslin; Joan Antón Rechi; Teatro La Fenice; Sebastian Ellrich; Gabriela Salaverri; Carmela Remigio; Alex Esposito

VeniceGriseldaNew production

Vivaldi: Griselda, RV 718
Diego Fasolis; Gianluca Falaschi; Teatro La Fenice
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Flailing capes, plumed helmets, Baroque machinery: Pizzi's Rinaldo!

Federico Maria Sardelli conducts an historic production of Handel’s first Italian opera for London with energy and Baroque spirit. Teresa Iervolino takes the leading role in a convincing cast.
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La Fenice transformed into a cathedral for Gounod's Faust

The real sensation of the evening was Alex Esposito – this time, Gounod's Faust should have been titled Méphistophélès...
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Vivaldi's Farnace returns to Venice at the Teatro Malibran

Christophe Gayral gives Vivaldi's Farnace a contemporary update at the Teatro Malibran, but there are musical compensations. 
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A requiem to honour the dead in Venice

Claus Peter Flor directs La Fenice forces with a fine quartet of soloists in the Requiem by Mozart that somewhat unjustifiably carries the composer's name, prefaced by a companion-piece motet.
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Striking choral juxtapositions in Venice

An afternoon of mostly enjoyable singing and music-making from the chorus and instrumentalists of La Fenice in an empty Teatro Malibran.

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La Fenice reopens its doors with Vivaldi's first opera

The lack of a curtain has forced the director to employ a new inventiveness, if only with partially success.
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