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The Singapore Symphony Orchestra's Music Director-designate made his mark conducting Mahler's Fourth Symphony and the Nelson Mass.

Opera lovers’ favorite roué is back at the Met, with the charismatic Ryan Speedo Green taking on the title role.

As the BBC Proms visits Gateshead, Dinis Sousa and the Royal Northern Sinfonia excel in Mendelssohn, although David Fray's Bach underwhelms. 

Fabio Biondi, making his New York Philharmonic debut, leads the New York Phil, the Handel and Haydn Society Chorus, and a quartet of soloists in a Messiah that emphasizes momentum.

Michael Volle headlines a deluxe revival of Verdi's Falstaff in this revival of Robert Carsen's popular production. 

Michael Grandage's vivid production of Mozart's comic masterpiece is fast becoming a classic and is revived here to a very high standard.

Lush visuals and appealing singing do not quite make up for a somewhat lacklustre revival of Nicholas Hytner's acclaimed 2006 production of Mozart's late comedy.

Jamie Barton's rich, mellifluous mezzo is ideal for singing Orfeo.

Cast changes and a revival director who sharpens up the action make all the difference to this revival of Rossini's *Barber of Seville* in Glyndebourne's opening weekend. 

Under elegant leadership of conductor Harry Bicket, the Met's revival of the "Marriage of Figaro" succeeds with a strong ensemble of cast.

The Metropolitan Opera's new produdtion of Rusalka fails to explore a deeper complexity of the fairy tale, although a strong ensemble of singers and the superb Met Orchestra make it a musically compelling performance.

Operalia is a curious beast among voice competitions. Step onto the stage, belt out your aria and, before you’ve barely had time to acknowledge the applause, the next contestant shuffles along the conveyor belt. A one-shot saloon. 

La reprise de la mise en scène chorégraphiée d'Anne Teresa De Keersmaeker, créée en 2017, échoue à convaincre – au contraire de la direction musicale captivante de Pablo Heras-Casado.

Nach pandemiebedingter Pause hat sich die Bayerische Staatsoper mit einem cineastischen Opernprojekt von Marina Abramović zurückgemeldet.