Live, Video: Find classical music concert, opera, ballet and dance reviews | English | Jonathan Abernethy

Lindy Hume directs a refreshingly uncomplicated new staging for New Zealand Opera, supported by fine musical performances.

Ravishing music and performances, a crazy G&S plot, but physicality that tends to distract in Constantine Costi's production.

Lise Davidsen and Sabine Devieilhe produce soprano heaven in their contrasting vocal styles. Katie Mitchell’s staging feels disappointingly familiar.

Celebrating a courageous woman who is able to secure the release of her husband from prison, Beethoven’s sole opera Fidelio has music that is more compelling that its plot.

The backstory doesn’t bode well: three fugitive criminals decide to found a city that will pander to society’s most vital needs: food, sex, warfare, and alcohol.

Don't attempt to plough through the synopsis, but enjoy Cavalli's sexy score, persuasively performed in Jean Bellorini's modern staging. 

Bizet's The Pearl Fishers has its problems, but a good account of its score does have its pleasures, especially when it's all brightened up by the presence of Emma Matthews.

Opera Australia’s Falstaff in Melbourne brings freshness to this almost 20-year-old production. Contributing to its success is an outstanding Falstaff...