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Premiered with Norwegian National Ballet in 2009, this Don Quixote is packed with high energy classical and character roles and is colourful and extravagant.

Rudolf Nureyev's typically intricate choreography serves the Royal Swedish Ballet well, showing off the virtuosic talents throughout the ranks as well as the principal dancers.

The Australian Ballet's return to London's Royal Opera House after a 35 year absence, proves successful at every level.

This Don Quixote reveals the extraordinary depth of talent within Australian Ballet, challenging all ranks of the company and presenting a stellar production.

The first Fracci Gala at the Teatro alla Scala celebrates the memory and the stature of a child of the house, who not always considered so in life. 

Manuel Legris, whom Nureyev appointed étoile in Paris in 1986, presents an evening of Nureyev choreographies in Milan. 

A slick and stylish celebration at the Coliseum of this great company's achievements over 70 years.

The first mixed programme of the new season is led by a stellar cast.

A well-curated gala with gravitas; showcasing several works and dancers rarely, if ever, seen in London.

ENB performs Nureyev's Romeo ad Juliet, a production preoccupied with death, which lurks in every corner.

Rudolf Nureyev’s production of Romeo and Juliet erupts with life, giving the dancers of English National Ballet the opportunity to show off spectacular dancing and dramatic content, as well as coping with his highly technical, yet deceivingly simple looking, steps.

The POB struggles to connect to the Nureyev legacy, in an underwhleming performance of La Bayadère. 

Death lurks around every corner in Rudolf Nureyev’s Romeo and Juliet, created for English National Ballet (then named London Festival Ballet) back in 1977 and energetically revived here.