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Despite some weakness in the main singers, the overall level of musical performances was consistently high in Leipzig, with a stark and effective production.

Siegfried in Leipzig succeeds on all fronts: an engaging production, a great ensemble of singers and a well-conducted orchestra.

Die Walküre in Leipzig turns the family drama into a tragedy of fear and anxiety, with glimpse of hope at the end.

Oper Leipzig's Das Rheingold unfolds with no set changes, giving Wagner's music plenty of opportunities to fuel the imagination.

Christian von Götz's production doesn't all work, but he makes a viable, thought-provoking and entertaining show out of Weber's spooky classic.

Musical charm and mighty images of this Götterdämmerung leave the audience mesmerised.

What is perhaps even more remarkable than the unabashed grandeur of the new Parsifal at the Lyric Opera of Chicago is the degree to which its spectacle draws on the images and genres of 20th-century media technologies including popular music.

Le Theater Basel propose la Tétralogie à la façon d'un « festival scénique » digne du projet original de Richard Wagner. Retour sur les deux premiers épisodes d'une série qui est déjà une franche réussite.