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Manuel Renga’s sensitive framing device sets up a sympathetic production of a problematic opera, but is scuppered by the central vocal performance.

Canadian Opera Company's Don Pasquale offers a stylish Italian 1960s Fellini-inspired concept that delivers  comedy but omits the pathos. 

Soprano Chelsea Lehnea is a revelation in a rare opportunity to see Donizetti's operatic take on the early Christian martyr Polyeuctus. 

A good audience turnout for the opening of Noseda's third NSO season justifies an all-20th-century program centering on Carl Orff's popular and direct setting of medieval poems about real life and fate, but also presenting gentler works of religious reflection.

Under Will Crutchfield’s direction the festival has focused on the rediscovery of forgotten 19th-century Italian works and celebrates the legacy of the bel canto era. 

Un final ovacionado para la carrera del maestro Josep Pons, quien se despide de la titularidad orquestal de la casa, en un estreno que resultó efectista y de nivel.

La recuperación de Il barbiere di Siviglia de Paisiello en Granada marca un hito de la presente temporada lírica en España.

El reestreno de El sueño de una noche de verano de Gaztambide se salva por el notable esfuerzo de todos los implicados por rescatar esta zarzuela.