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Joana Carneiro, the Festival Orchestra of Lincoln Center and music by Frank, Shostakovich, Ravel and Prokofiev fused into something that transcended them all.

Aucoin, librettist Jorie Graham and director Peter Sellars make New Bodies more a haunting mood piece than a cautionary tale for the American Modern Opera Company.

The Australian conductor leads a superb performance of Bruckner’s Sixth paired with Steven Isserlis playing Schumann’s Cello Concerto. 

Bartlett Sher’s 2006 production of Rossini’s tuneful masterpiece is showing its age, but a superb cast and conductor keep the comedy moving. 

In a rare visit to New York, the Philharmonic’s incoming Music Director leads the ensemble in an exhilarating program of works by Varèse, Gershwin... and a Ravel world premiere. 

Fifteen years after its Dallas Opera world premiere, Jake Heggie’s grand adaptation of Herman Melville’s sprawling epic arrives in New York in a stunning production with a standout cast.  

The captivating pianist leads the orchestra from the keyboard in works by Stravinsky, Janáček and Gershwin. 

The American soprano heads an uneven cast in Michael Mayer’s archeologically inspired staging of Verdi’s great tale of love, war and betrayal.

Shostakovich’s Tenth Symphony is a massive and aptly complicated work to which William Kentridge’s film adds contextual layers of stop-motion animation and vintage footage in a surreal nightmare of tyranny.

Rising conductor Kazuki Yamada conducts a clear, forthright and flowing account of Rachmaninov's Second Symphony.