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While Uchida’s performances showcase remarkable precision and refinement, they occasionally feel restrained, leaving room to explore the improvisatory charm that make Mozart’s music so compelling.

At the Southbank Centre vivid performance of seminal works shows how Schoenberg added colours to the Chameleon and enriched our sound world. 

Revolutionary music, a century on: Pierre-Laurent Aimard excels in Schoenberg and Ives.

Dame Mitsuko Uchida demonstrates why she is one of today's greatest Mozartians, while her MCO players give a virtuoso account of a work steeped in the Viennese tradition.

A pair of A minor sonatas demonstrate the composer's evolution over his lifetime; the Wanderer Fantasy shows the pianist's mastery of phrasing.

By using Schumann’s Novelletten to draw a broad dramaturgical bow over the whole evening, Martin Helmchen stands on his own as a bold and highly creative pianist.

Lars Vogt and Royal Northern Sinfonia deliver Beethoven's Symphony no. 9 with swaggering self-confidence, and heroic chorus singing.

Maurizio Pollini demonstrated why people still flock to hear him perform in sonatas by Beethoven and miniatures by Schoenberg.

A packed Festival Hall heard Maurizio Pollini recapture his glory years in sublime Chopin. 

An austere yet emphatic Fidelio, focussed and detailed Schoenberg, followed by an affecting, powerfullly bleak Shostakovich Eighth Symphony from Jusrowski & the LPO.

As part of this year’s International Piano Series at the Southbank Centre, Japanese pianist Mitsuko Uchida gave a highly absorbing and exquisitely presented performance of works by Bach, Schoenberg and Schumann.

Maurizio Pollini se mostró eficaz y admirable en la parte dedicada a Schönberg mientras que en las obras de Chopin hubo cierta variabilidad.

Retour sur le dantesque récital schubertien d'Elisabeth Leonskaja, au Théâtre des Champs-Élysées, ponctué d'œuvres de la Seconde école de Vienne.