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Lang Lang gives a dramatic, technically brilliant rendition of Grieg’s beloved piano concerto.

The Academy of St Martin in the Fields give exciting performances at the Barbican, with idiosyncratic Mozart from Buniatishvili. 

A packed house and an anticipatory buzz greet Boris Giltburg in a programme ranging from poetic Chopin to grisly Ravel.

An extraordinary evening in the Großes Festspielhaus as the pianist draws his audience in for a marathon recital of Berg, Gershwin and Chopin. 

Darrell Ang and members of the Singapore Symphony deliver a crystalline Mother Goose Suite and a high-spirited, straight-from-the-orchestra-pit Ibert Divertissement.

The French pianist's account of Ravel's G major concerto is the highlight of a nearly all-French programme under Emmanuel Krivine. 

A most idiosyncratic version of Rachmaninov's Second Piano Concerto from Khatia Buniatishvili along with a notable performance of Sibelius' Second Symphony from the RPO, touring the United States under Mark Wigglesworth. 

In Québec, Fabien Gabel, the OSQ Chorus and Orchestra present two rarely heard psalms while soprano Karina Gauvin brings absolute magic to the music of Ravel and Schmitt.

Tired of looking at the same wallpaper all the time? The London Philharmonic and their conductor Edward Gardner, together with soloist Stephen Hough, offer one way to see (part of) the world.

Nobuyuki Tsujii's debut in the Southbank's International Piano Series proves a mixed success. 

Excellent performances by James Gaffigan and The Cleveland Orchestra of music by Barber, Mendelssohn, and Sibelius made for an enjoyable summer evening at the Blossom Music Festival. Stephen Hough was an outstanding piano soloist.

The Estonian Festival Orchestra makes its Proms debut in a refreshing Baltic-Nordic programme.

Shimmering images from Debussy in his evocative Images had Stephen Hough oozing luminescence, with passion in Schumann and firing on all cylinders in Beethoven’s “Appassionata”.

What a great composer, and what a great advocate for his genius.

Nikolaj Znaider led The Cleveland Orchestra in two works that shared a key but were otherwise quite disparate: Beethoven’s Emperor Concerto with Yefim Bronfman, and Elgar’s Second Symphony.

A four-hour concert featuring piano music by Debussy might seem like an excessive ask, but the Perth Festival filled the venue for this stunning and highly entertaining concert by French pianist Jean-Efflam Bavouzet.

Juxtaposing Debussy’s music with opuses by Schumann and Beethoven, Stephen Hough brought forward connection points one wouldn't have thought of.

Sir Simon Rattle and the Berlin Philharmonic Orchestra are at a distance from performing at their usual top form in their returning concert in Hong Kong.

Tonal finesse, graceful articulation and magical simplicity mattered more than anything else in Yefim Bronfman's version of Beethoven's Third Piano Concerto.

Elim Chan's homecoming in an evening of pride and joy with the Hong Kong Phil.

“Wigmore Hall is flooded now!” confessed Philippe Cassard. It was Claude Debussy who left the tap running, with every form of precipitation – rain, snow, fog – pouring from the Steinway's keyboard, trickling from fountain, springing from river beds. 

The RPO play a contrasting programme of two dark symphonies by Sibelius and Tchaikovsky, with the Georgian panist Khatia Buniatishvili as the soloist in the Schumann concerto.

There are few composers for the piano as viscerally exciting as Franz Liszt and there are few pianists today who perform his music with as much visceral excitement as Khatia Buniatishvili. 

Core repertoire from across nearly two centuries formed the basis of a recital programme that forged a link from Bach to Ravel.

Pretty Yende makes a successful New York recital debut at Carnegie Hall with a diverse selection of songs and arias.

Janine Jansen's International Chamber Music Festival offered a special treat this year: scratchcard concert, where a scratchcard determined which concerts one got to see.

As the audience assembled in Roy Thomson Hall on Wednesday, nothing seemed out of the ordinary. Members of the orchestra were taking their seats on the stage, getting ready to tune their instruments. However, anyone paying close attention to the setting would have seen a fixture hanging high above the stage.

One would think that either Renée Fleming or Susan Graham alone would be reason enough to sell out a large venue such as Disney Hall. But everything is bigger in Hollywood, and the LA Phil brought both artists together for a one-night recital of French art song. But even that wasn’t enough.

To perform so many of Debussy’s works in one sitting requires a certain amount of skill and understanding. The charismatic pianist Jean-Efflam Bavouzet opened our eyes to the impressionistic world of Claude Debussy in this special three-part concert for the Cheltenham Music Festival.