Live, Video: Find classical music concert, opera, ballet and dance reviews | Swan Lake: excerpts

Seong-Jin Cho, Andris Nelsons and the Boston Symphony bring refinement, dramatic cohesion and a touch of ballet to an all-Tchaikovsky gala.

Alpesh Chauhan conducts the LA Phil in the world premiere of Saad Haddad's cinematic Aysheen. 

An assortment of oddments from the repertoire to honour seven departing PNB dancers.

Pacific Northwest Ballet's Rep 1 delivers a magnificent first installment of their 2020-2021 virtual season.

In an all-Russian matinee, the Philharmonia presents excerpts from Tchaikovsky’s ballet that lack a dance element, but Rachmaninov’s First Piano Concerto soars.

Malcolm Arnold’s overture Peterloo presents the tragic events of the beginnings of the trade union movement. The melodramatic tragedy of Tchaikovsky’s Swan Lake closes the evening, after Juan Pérez Floristán makes his Proms debut.

Valery Gergiev and the Mariinsky Orchestra return to Cadogan Hall for the second of their Petipa/Tchaikovsky tributes. 

Fresh energy and vibrant comedy marks the Trocks' return to the UK  

Organised by Berlin State Ballet audience’s darling, the principal dancer Polina Semionova, the gala Polina & Friends and its stellar cast literally left the house roaring from enthusiasm.

Alban Gerhardt in Martinů’s Cello Concerto no. 1 was a dazzling achievement in the Belgrade Philharmonic’s concert under Uroš Lajovic, along with atmospheric Sibelius and polished Tchaikovsky.

The Philadelphia Orchestra presented an exciting and fresh performance of Swan Lake selections and Bluebeard's Castle, led by its energetic music director Yannick Nézet-Séguin.

An all-Tchaikovsky programme of opera and ballet was an appealing way to enter the Christmas period, especially under the energetic baton of Jac van Steen.

The young talents from Dutch National Ballet's Junior Company showed themselves to the public in an exciting mixed programme of well-performed classics and interesting new works.

La joven violinista María Dueñas debuta en Ibermúsica con el concierto de Paganini y junto a la Filarmónica Nacional de Rusia bajo la dirección de Spivakov.