Fabián Panisello nos habla del estreno de El abrecartas

By David Santana Cañas, 15 February 2022

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“Toca un tema álgido que Luis de Pablo estaba deseando expresar”

Bachtrack, 8th June

The leading US soprano talks about taking on one of opera’s most devastating roles, which she sings for the first time in Brno this autumn.

A lonely profession? Hong Kong International Conducting Competition

Rudolph Tang, 5th June

Christoph Poppen, new jury co-chair of the Hong Kong International Conducting Competition, argues that the competition valuable because it allows young conductors to meet one another, in what is an otherwise lonely profession.

Historical garb: Early music in Latvia and the Baltics

Bachtrack, 4th June

With a penchant for Baroque music in historical livery, Collegium Musicum Riga are part of a small but distinctive Early music scene in Latvia, initiating collaborations with others across the Baltic states.

Ambassadors for chamber music: Quatuor Ébène

Charlotte Gardner, 2nd June

Ahead of the 2026 ARD International Music Competition, Quatuor Ébène’s Pierre Colombet and Gabriel Le Magadure talk about the competition’s transformative effect on their career, performing Beethoven around the world, and advocating for chamber music.

Mongrel sensibilities: Early music in Italy

Lawrence Dunn, 28th May

Giulio Prandi, conductor of Coro e Orchestra Ghislieri, and violinist and concertmaster Gabriele Pro talk about crossing borders, adopting shared sensibilities, and the challenges facing historically informed musicians in Italy today.

Labyrinths of life: Erkki-Sven Tüür

Simon Cummings, 27th May

Erkki-Sven Tüür talks about making sanctuary on Hiiumaa, a wild island to Estonia’s west, and his interest in writing concertos, seen “through the eyes of someone who observes the world very closely”.

David Santana Cañas

David Santana (Bilbao, 1996) comienza sus estudios de música en la especialidad de fagot en el Conservatorio Juan Crisóstomo de Arriaga de Bilbao. En 2014 se traslada a Madrid, donde cursa el grado en Musicología en la Universidad Complutense de Madrid y continúa y finaliza sus estudios musicales de fagot en el Conservatorio Adolfo Salazar de Madrid. Actualmente se encuentra ampliando su formación con la realización del Máster de Investigación de Música Española e Hispanoamericana en la UCM.

El testamento de Luis de Pablo al descubierto: hablamos con Fabián Panisello de El abrecartas