Fabián Panisello nos habla del estreno de El abrecartas

By David Santana Cañas, 15 February 2022

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“Toca un tema álgido que Luis de Pablo estaba deseando expresar”

Lawrence Dunn, 13th May

A group of younger Croatian musicians, including new ensemble Gli Schiavoni, are determined to recover the historical music of Croatia, despite a devastating series of earthquakes and armed conflicts.

Kith and kin: Brett Dean and family prepare Of One Blood

Lawrence Dunn, 1st May

Brett Dean, Heather Betts and Lotte Betts-Dean sit down to discuss their work on Of One Blood, a new opera dramatising the lives of Elizabeth I and Mary, Queen of Scots – affairs of the family all round.

Attuned to the times: Anastasia Kobekina in Prague

Charlotte Gardner, 30th April

Ahead of a return to Prague to perform with the Czech Philharmonic, Anastasia Kobekina talks about Bryce Dessner’s new cello concerto, Trembling Earth, her love for Dvořák, and exploring new instruments.

Rambert School, Juilliard School, McGregor: triple threat!

Deborah Weiss, 29th April

Amanda Britton, Artistic Director of Rambert School, talks about an exchange and collaboration between the Rambert School and Juilliard to create a new work by Wayne McGregor, a unique project.

No fixed paths: Jorge Losana on Early music in Spain

Eleanor Knight, 24th April

Founder of celebrated young vocal ensemble Cantoría talks about being a musical organiser, singing musical ensaladas, and how Barcelona might be the capital of Early music on the Iberian peninsula.

On a whim: Hina Maeda on the Wieniawski Competition

Nahoko Gotoh, 23rd April

Five years ago, the Japanese violinist made the spontaneous decision to enter the prestigious Henryk Wieniawski Violin Competition. She talks about how her win in 2022 was a musically life-changing experience.

David Santana Cañas

David Santana (Bilbao, 1996) comienza sus estudios de música en la especialidad de fagot en el Conservatorio Juan Crisóstomo de Arriaga de Bilbao. En 2014 se traslada a Madrid, donde cursa el grado en Musicología en la Universidad Complutense de Madrid y continúa y finaliza sus estudios musicales de fagot en el Conservatorio Adolfo Salazar de Madrid. Actualmente se encuentra ampliando su formación con la realización del Máster de Investigación de Música Española e Hispanoamericana en la UCM.

El testamento de Luis de Pablo al descubierto: hablamos con Fabián Panisello de El abrecartas