A forgotten revolutionary? The OAE and Rebecca Miller play CPE Bach

Por Julia Savage, 04 febrero 2014

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Crítica hecha desde Queen Elizabeth Hall, Londres el 30 enero 2014

Bach C.P.E., Sinfonía en mi bemol mayor, Wq 179

Bach C.P.E., Symphony in B minor, Wq 182/5

Bach C.P.E., Double Concerto in E flat major for harpsichord, piano and orchestra, Wq 47

Bach C.P.E., Symphony in A major, Wq 182/4

Bach C.P.E., Sinfonía en re mayor, Wq 183/1

Bach C.P.E., Sinfonía en fa mayor, Wq 183/3

Orchestra of the Age of Enlightenment

Rebecca Miller, Dirección

Mahan Esfahani, Clave

Danny Driver, Fortepiano

Una gran sinfonía para un gran final

David Santana Cañas, 30th May

Elgar, Strauss y el Sibelius más épico son el repertorio elegido por Ibermúsica para cerrar su Serie Barbieri de la mano de Thierry Fischer.

****1

Mixed Mozart from the Orchestra of the Age of Enlightenment

Dominic Lowe, 26th February

A Mozart's of symphonies – his last – under conductor Robin Ticciati is capped with a fine Jupiter, but is let down by the performances of its two predecessors.

***11

Haydn pur: Sir András Schiff mit dem OAE in Dortmund

Jens Klier, 19th November

Die Melange aus bestimmter Lässigkeit und zwinkernder Süffisanz ließ bei neuerlichem Haydn dieser geistreichen Londoner Künstlergemeinschaft wieder kaum redensartliches Auge trocken.

****1

John Butt and the OAE celebrate Handel's Solomon

Roy Westbrook, 12th October

The Queen of Sheba is clearly in a hurry in this account of Handel's oratorio at the Queen Elizabeth Hall.

*****

Enescu Festival immersion: Bach on the street, Klimt in the forest

Peter Quantrill, 11th September

At the George Enescu International Festival, a pair of new shows crossing genres and reinventing the classics, with mostly enlightening results.

****1

Brandstrup Breaking Bach with the OAE at EIF

Kathy Elgin, 20th August

Kim Brandstrup choreographs Bach favourites based on hip hop and street dance. Lie back on the bean bags at Usher Hall and enjoy...

****1

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Julia Savage

Julia works behind the scenes at Westminster Abbey as a PA. Outside of her job, she sings with a variety of ensembles in London and further afield, and undertakes freelance editorial and writing projects – from concert programmes to tasting notes.