Hungarian State Opera: AuditoriumAndrássy út 22, Budapest, Central Hungary, 1061, Hungría
Fechas/horas en zona horaria de Budapest
| miércoles 01 abril 2026 | 16:00 |
| viernes 03 abril 2026 | 17:00 |
| domingo 05 abril 2026 | 17:00 |
Programa
| Wagner, Richard (1813-1883) | Parsifal |
Intérpretes
| Hungarian State Opera | ||
| Constantin Trinks | Dirección | |
| András Almási-Toth | Dirección de escena | |
| Sebastian Hannak | Diseño de escena | |
| Lili Izsák | Diseño de vestuario | |
| Tamás Pillinger | Diseño de iluminación | |
| Hungarian State Opera Orchestra | ||
| András Juhász | Videoarte | |
| Enikő Perczel | Dramaturgia | |
| Hungarian State Opera Chorus | ||
| Gábor Csiki | Dirección de coro | |
| Hungarian State Opera Children's Chorus | ||
| Nikolett Hajzer | Dirección de coro | |
| Dóra Barta | Coreografía | |
| Mihály Kálmándy | Barítono | Amfortas |
| Károly Szemerédy | Barítono | Klingsor |
| Andrea Szántó | Mezzosoprano | Kundry |
| István Kovácsházi | Tenor | Parsifal |
| András Palerdi | Bajo | Gurnemanz |
| Péter Fried | Bajo | Titurel |
| Mária Farkasréti | Soprano | A voice from on high |
| Laura Topolánszky | Soprano | First squire |
| Anna Csenge Fürjes | Mezzosoprano | Second squire |
| Gergely Ujvári | Tenor | Third squire |
| Artúr Szeleczki | Tenor | Fourth squire |
| Botond Pál | Tenor | First knight of the Grail |
| Bence Pataki | Bajo | Second knight of the Grail |
| Lilla Horti | Soprano | First Flowermaiden / First Group |
| Ildikó Megyimórecz | Mezzosoprano | Second Flowermaiden / First Group |
| Lusine Sahakyan | Mezzosoprano | Third Flowermaiden / First Group |
| Rita Rácz | Soprano | First Flowermaiden / Second Group |
| Anija Lombard | Soprano | Second Flowermaiden / Second Group |
| Zsófia Kálnay | Mezzosoprano | Third Flowermaiden / Second Group |
In Parsifal, his final music drama, Wagner embeds fear of the temptations of the world and sinful desires into a tale of redemption. The work is indeed a festival play for the stage rather than an opera. Many viewers - perhaps out of their own fears - criticised Wagner, who wrote both the libretto and the music, for what could be called the piece’s virtue and remarkable complexity, which is the personal tone with which he portrayed a religious theme combining notions of sacred and profane love. The visual world of this production directed by artistic director András Almási-Tóth was designed by Sebastian Hannak, who was also behind the look of Porgy and Bess and The Fairy Queen.

