Hungarian State Opera: AuditoriumAndrássy út 22, Budapest, Central Hungary, 1061, Ungarn
Datum/Zeit in Budapest Zeitzone
| Mittwoch 01 April 2026 | 16:00 |
| Freitag 03 April 2026 | 17:00 |
| Sonntag 05 April 2026 | 17:00 |
Programm
| Wagner, Richard (1813-1883) | Parsifal |
Darsteller
| Hungarian State Opera | ||
| Constantin Trinks | Musikalische Leitung | |
| András Almási-Toth | Regie | |
| Sebastian Hannak | Bühnenbild | |
| Lili Izsák | Kostüme | |
| Tamás Pillinger | Licht | |
| Hungarian State Opera Orchestra | ||
| András Juhász | Video | |
| Enikő Perczel | Dramaturgie | |
| Hungarian State Opera Chorus | ||
| Gábor Csiki | Chorleitung | |
| Hungarian State Opera Children's Chorus | ||
| Nikolett Hajzer | Chorleitung | |
| Dóra Barta | Choreographie | |
| Mihály Kálmándy | Bariton | Amfortas |
| Károly Szemerédy | Bariton | Klingsor |
| Andrea Szántó | Mezzosopran | Kundry |
| István Kovácsházi | Tenor | Parsifal |
| András Palerdi | Bass | Gurnemanz |
| Péter Fried | Bass | Titurel |
| Mária Farkasréti | Sopran | Stimme von oben |
| Laura Topolánszky | Sopran | Erster Knappe |
| Anna Csenge Fürjes | Mezzosopran | Zweiter Knappe |
| Gergely Ujvári | Tenor | Dritter Knappe |
| Artúr Szeleczki | Tenor | Vierter Knappe |
| Botond Pál | Tenor | Erster Gralsritter |
| Bence Pataki | Bass | Zweiter Gralsritter |
| Lilla Horti | Sopran | 1. Blumenmädchen / 1. Gruppe |
| Ildikó Megyimórecz | Mezzosopran | 2. Blumenmädchen / 1. Gruppe |
| Lusine Sahakyan | Mezzosopran | 3. Blumenmädchen / 1. Gruppe |
| Rita Rácz | Sopran | 1. Blumenmädchen / 2. Gruppe |
| Anija Lombard | Sopran | 2. Blumenmädchen / 2. Gruppe |
| Zsófia Kálnay | Mezzosopran | 3. Blumenmädchen / 2. Gruppe |
In Parsifal, his final music drama, Wagner embeds fear of the temptations of the world and sinful desires into a tale of redemption. The work is indeed a festival play for the stage rather than an opera. Many viewers - perhaps out of their own fears - criticised Wagner, who wrote both the libretto and the music, for what could be called the piece’s virtue and remarkable complexity, which is the personal tone with which he portrayed a religious theme combining notions of sacred and profane love. The visual world of this production directed by artistic director András Almási-Tóth was designed by Sebastian Hannak, who was also behind the look of Porgy and Bess and The Fairy Queen.

