Hungarian State Opera: AuditoriumAndrássy út 22, Budapest, Central Hungary, 1061, Ungarn
Datum/Zeit in Budapest Zeitzone
Mittwoch 01 April 2026 | 16:00 |
Freitag 03 April 2026 | 17:00 |
Sonntag 05 April 2026 | 17:00 |
Programm
Wagner, Richard (1813-1883) | Parsifal |
Darsteller
Hungarian State Opera | ||
Constantin Trinks | Musikalische Leitung | |
András Almási-Toth | Regie | |
Sebastian Hannak | Bühnenbild | |
Lili Izsák | Kostüme | |
Tamás Pillinger | Licht | |
Hungarian State Opera Orchestra | ||
András Juhász | Video | |
Enikő Perczel | Dramaturgie | |
Hungarian State Opera Chorus | ||
Gábor Csiki | Chorleitung | |
Hungarian State Opera Children's Chorus | ||
Nikolett Hajzer | Chorleitung | |
Dóra Barta | Choreographie | |
Mihály Kálmándy | Bariton | Amfortas |
Károly Szemerédy | Bariton | Klingsor |
Andrea Szántó | Mezzosopran | Kundry |
István Kovácsházi | Tenor | Parsifal |
András Palerdi | Bass | Gurnemanz |
Péter Fried | Bass | Titurel |
Mária Farkasréti | Sopran | Stimme von oben |
Laura Topolánszky | Sopran | Erster Knappe |
Anna Csenge Fürjes | Mezzosopran | Zweiter Knappe |
Gergely Ujvári | Tenor | Dritter Knappe |
Artúr Szeleczki | Tenor | Vierter Knappe |
Botond Pál | Tenor | Erster Gralsritter |
Bence Pataki | Bass | Zweiter Gralsritter |
Lilla Horti | Sopran | 1. Blumenmädchen / 1. Gruppe |
Ildikó Megyimórecz | Mezzosopran | 2. Blumenmädchen / 1. Gruppe |
Lusine Sahakyan | Mezzosopran | 3. Blumenmädchen / 1. Gruppe |
Rita Rácz | Sopran | 1. Blumenmädchen / 2. Gruppe |
Anija Lombard | Sopran | 2. Blumenmädchen / 2. Gruppe |
Zsófia Kálnay | Mezzosopran | 3. Blumenmädchen / 2. Gruppe |
In Parsifal, his final music drama, Wagner embeds fear of the temptations of the world and sinful desires into a tale of redemption. The work is indeed a festival play for the stage rather than an opera. Many viewers - perhaps out of their own fears - criticised Wagner, who wrote both the libretto and the music, for what could be called the piece’s virtue and remarkable complexity, which is the personal tone with which he portrayed a religious theme combining notions of sacred and profane love. The visual world of this production directed by artistic director András Almási-Tóth was designed by Sebastian Hannak, who was also behind the look of Porgy and Bess and The Fairy Queen.