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Música clásica, ópera, ballet y danza en Irlanda

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DublinRTÉ lyric fm Marty in the Evening live with the RTÉ Concert Orchestra

© Alan Place
Unknown
RTÉ Concert Orchestra; Marty Whelan

DublinShelley conducts Mahler’s ‘Resurrection’

National Concert Hall, Dublin
Mahler: Sinfonía núm. 2 en do menor "Resurrección"
National Symphony Orchestra Ireland; Alexander Shelley; Tara Erraught; Dame Sarah Connolly; National Symphony Chorus Ireland; David Young

DublinCulture Night with Alexander Shelley & Jess Gillam

National Concert Hall, Dublin
Bernstein, Clyne, Holmès, Bartók, Agócs, Williams
National Symphony Orchestra Ireland; Alexander Shelley; Jess Gillam

DublinIvanov plays Tchaikovsky’s Piano Concerto No. 1

National Concert Hall, Dublin
Bacewicz, Chaikovskiï, Rajmáninov
National Symphony Orchestra Ireland; John Wilson; Emanuil Ivanov

DublinJonathan Biss plays Mozart Concerto No. 17

National Concert Hall, Dublin
Haydn, Mozart
National Symphony Orchestra Ireland; Peter Whelan; Jonathan Biss
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Martín y la NSO ofrecen un Shostakovich audaz y emocionante

Jaime Martín y la National Symphony Orchestra © National Symphony Orchestra
Pablo Ferrández encandila en las Variaciones rococó de Chaikovski y el director Jaime Martín ofrece una convincente y rítmica versión de la Décima sinfonía de Shostakovich.

Ballet de Santiago takes flight in Dublin Swan Lake

Ballet de Santiago in Swan Lake © Nicolas Quezada
At the Bord Gáis Energy Theatre, a long overdue European debut for one of Latin America's pre-eminent companies.

Sir Simon Rattle and the OAE make Berlioz sound radically new

Sir Simon Rattle © Mark Stedman for National Concert Hall Ireland
Simon Rattle and the Orchestra of the Age of Enlightenment deliver a revelatory all-Berlioz programme, crowned by a sensational Symphonie Fantastique of rare clarity, colour and imagination.

A witty hotel Don Giovanni opens Blackwater Valley Festival

Aimee Kearney (Zerlina) and Jolyon Loy (Don Giovanni © Frances Marshall
Tom Creed’s witty production at Lismore Castle delivers strong singing, sharp comedy and lively orchestral playing, even if the opera’s darker supernatural edges are somewhat diminished.

A noble Norma trapped in a hollow dystopia

Salome Jicia (Norma) © Ruth Medjber
Salome Jicia delivers a vocally impressive and emotionally committed Norma, but Orpha Phelan’s post-apocalyptic staging fatally weakens Bellini’s sacred tragedy.