En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Adams

Mark Morris Dance Group’s second week at the Joyce Theater in New York unveiled a world premiere in a mixed bill that represented a narrow range of Morris’ dazzling creativity.

Conductor Vimbayi Kaziboni, the BBC Philharmonic and soloists Ralph van Raat and Jess Dandy present three new works, each relating to natural environments.

A climate-centered concert features water-themed works by Britten and Takemitsu, but is built around the stunning New York premiere of Become Desert, a co-commissioned piece by John Luther Adams.

Personnel changes plague the world premiere of Vespers of a Blessed Earth, which sounds an urgent musical alarm on the harms of climate changes.

Steve Reich and Julia Wolfe feature in Colin Currie Quartet's Full Dark Ride at London's Kings Place, to launch the “Sound Unwrapped” extravaganza. 

From an unknown Mexican piece to an all-new Bryce Dessner concerto to the familiar Rite of Spring, Rouvali and the Philharmonia blow the roof off the Royal Festival Hall.

John Luther Adams piece unfolds with the patience and weight of the geological time, leaving a powerful mark.

Excellent performances of Scelsi's Uaxuctum and John Luther Adams' prescient Become Ocean were by accompanied by an impressive, but ultimately distracting audiovisual display.

New York Philharmonic, under the strong leadership of its incoming music director, demonstrated that they can perform opera as well as symphonies in an impressive performance of Act 1 of Die Walküre.

The Birmingham Contemporary Music Group present an ambitious mixture of experimental chamber music and disquieting monodrama. 

A programme based around aquatic themes visited the choppy waters of Scandinavia and the calmer tides of the Mediterranean before plumbing the shallows of an unfathomable recent work.  

Ludovic Morlot guest-conducts the Los Angeles Philharmonic in a life-affirming programme pairing classic Beethoven with a contemporary masterpiece by John Luther Adams.

Ruth Mackenzie, Holland Festival’s vivacious and invigorating new director, closed her first edition with a twelve hour Prom, reinventing it as a mini-festival at Amsterdam’s Concertgebouw.

This outdoor piece wasn’t just about nature; it took place in nature. The rumbles of bass drums and timpani mingled with the delicate sounds of the wind rustling through the trees and stones being scraped together by musicians.

Ludovic Morlot conducts the New York première of the piece that won this year's Pulitzer Prize, Become Ocean, and pairs it with Varèse and Debussy.

The Dallas Symphony Orchestra opened their latest series on Thursday with works by John Luther Adams, Schubert, Richard Strauss, and Shostakovich. The German baritone Matthias Goerne joined the DSO and Artistic Director Jaap van Zweden for a performance that was moving and powerful enough to far outshine a couple of puzzling managerial decisions.