Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Joshua Bell

Albéniz, Saint-Saëns y Prokofiev componen un programa sugerente en el que los solistas Joshua Bell y María José Montiel brillaron en sus respectivos papeles.

Violinist Joshua Bell returns to light up the 75th anniversary of the Atlanta Symphony Orchestra with a fiery performance of Wieniawski's Second Violin Concerto.

The Bamberg Symphony Orchestra bring a wonderfully bucolic programme of Czech music to The Proms.

Much more than an accompanist, Denk was the rock on which the success of such a demanding programme was built.

Nothing to make the horses shy in this latest instalment of the successful artistic partnership between the ASMF and its Music Director.

The Tonhalle Orchestra Zürich recently struck a perfect balance of emotive and restraint in music by Brahms, Bartók and Saint-Saëns.

In this afternoon Prom, Joshua Bell disappointed as a conductor. As a soloist, however, he came up with the goods.

After Joshua Bell's fine Wieniawski, the Philadelphia Orchestra's account of the Leningrad Symphony took this concert to a higher plane. 

Stunningly fresh performances of ubiqitous classics from Joshua Bell and the Academy of St Martin in the Fields.

In Autumn the cicadas are out in force at Wigmore Hall...

Just what the doctor ordered: a programme of Franco-Iberian musical delights to advance the cause of a Mediterranean lifestyle, with Charles Dutoit and the RPO in commanding form.

Violinist Joshua Bell and cellist Steven Isserlis came together with three other players to showcase the composer’s chamber music. 

Joshua Bell brings star quality to the visit of the Academy of St Martin in the Fields, with a stunning performance of the Tchaikovsky Violin Concerto the stand-out item on their first Sydney programme.

Joshua Bell and the stupendous Academy of St Martin in the Fields entertained us through powerful music, not through any showmanship or bravado - a welcome change in this Trump-age.

Mit der Musik Beethovens malte Joshua Bell zusammen mit der Academy of St Martin in the Fields farbenreiche Landschaften und Geschichten in die Vorstellung des Düsseldorfer Publikums.

Bells dezidiertes, schwungvolles, emphatisches Spiel, die lebendige Agogik bis hin zum Rubato wirkten elektrisierend, ließen den Hörer gebannt auf der Stuhlkante verharren.

American violinist Joshua Bell updates a tradition with class and panache in the Czech Philharmonic's season opener.

Véritable monument des concerti pour violons, celui de Tchaïkovski est l'un des plus populaires. Cependant ce soir à la Philharmonie, l'orchestre de Paris dirigé par Paavo Järvi jouait aussi des œuvres moins connues : le Concerto pour clarinette de Nielsen, ainsi que l'étonnante Symphonie n°4 de Sibélius.

  This 19th century romantic programme promised much, with familiar and rare works by Beethoven, Brahms, Dvořák and Schumann. Could the great orchestra and soloists meet our high expectations?

The Academy of St Martin in the Fields brought tremendous energy to a concert of well-loved classics, under the evidently inspirational leadership of Joshua Bell. 

From the American national anthem to An American in Paris and back to New York City for West Side Story with Joshua Bell, Stravinksy’s Firebird stuck out as the most remarkable piece on the program.

In Amsterdam, Joshua Bell led his Academy of St Martin in the Fields on an adventurous, crowd-pleasing journey that demonstrated his ensemble’s versatility.

Fire and ice. When the cool, steely tone of Joshua Bell ‘Huberman’ Stradivarius met the feverish impetuosity of Pablo Heras-Casado at the helm of the London Symphony Orchestra for the final leg of its International Violin Festival, it wasn’t always a case of opposites attracting.

Stunning Smetana and Dvořák made for a gripping end to a fine concert.

Joshua Bell and other musical heavyweights fail to impress in an evening of Czech chamber works well-known and otherwise.

Au programme de cette soirée où l’ONL et Leonard Slatkin ont invité Joshua Bell, des escales dans des univers de douceurs ou de puissances, toujours contrastés et aux influences celtique et dansante.

The New York Philharmonic’s opening concert was an absolute hit, and a promising start to a strong season, with special guests Josh Groban, Renée Fleming and Joshua Bell in La Dolce Vita: Music of the Italian Cinema.

Neville Marriner conducts Christopher Palmer’s arrangement of a Walton film score, while Joshua Bell delivers magic with Max Bruch and the Academy of St Martin in the Fields.

Music in the shadow of war - Musik im Schatten des Krieges. Wie kunstvoll Angst und Schrecken auf das Schaffen unterschiedlicher Komponisten Einfluss nahmen, zeigten Steven Isserlis & Friends im Großen Saal der Stiftung Mozarteum an Werken von Debussy, Fauré, Strawinsky, Zoltan Kodály und Edward Elgar. 

The Detroit Symphony triumphantly returned to its summer home tonight after many years away, ending the 2013-14 season with a flourish.

Joshua Bell and the Academy of St Martin in the Fields were at Birmingham's Symphony Hall for a concert of Bach, Brahms and Beethoven. Orchestra and leader displayed a lovely rapport.

The musicians got on a bus to their next destination as the audience left the music hall. What had happened no longer was. Yet so much had changed after two Beethoven symphonies and Bruch’s violin concerto, all totems of the staple repertoire. In the hands of the Academy of St Martin in the Fields, they became almost as palpable as a drawing. The Academy is a perfectly balanced ecosystem.

Now in its fourth and final week, the Mostly Mozart Festival welcomed one of the biggest names on its lineup, Joshua Bell, to Avery Fisher Hall as guest soloist. Music Director Louis Langrée conducted the Mostly Mozart Festival Orchestra in a program of Mozart and Tchaikovsky.

As Proms debuts go, this would be difficult to beat. The newly formed National Youth Orchestra of the United States of America (NYO-USA) were fresh – literally, certainly no sign of fatigue – from an intensive two-week training residency followed by a tour which included the tall order of taking Tchaikovsky to Russia.

Severance Hall was packed this weekend for a rare appearance by violinist Joshua Bell with the Cleveland Orchestra and music director Franz Welser-Möst conducting. There should have been no disappointment; the concert was brilliantly executed from beginning to end. This review is based on the performance of Saturday, 19 January.Jörg Widmann’s Lied (2003, revised 2009) opened the concert.

Though often played with far greater forces, the Beethoven and Mendelssohn played in this concert were well suited to the small size and immediacy of the Academy of St Martin in the Fields. Directed energetically from the leader’s chair by Joshua Bell, they gave crisp and clear performances which highlighted the chamber-style aspects of these works.

The Napa Valley is famous for its picturesque countryside, stunning weather and fine wine. With the ambitious Festival del Sole concluding their seventh season on Sunday night with a concert featuring two titans of classical music - Joshua Bell and Hélène Grimaud – they proved that “wine country” has even more to offer the Northern California region than that which makes them one of the premier de

For one of the most iconic works in the art music repertoire, The Rite of Spring actually isn’t performed very often. This week it made a welcome appearance on a New York Philharmonic program under the baton of British conductor Daniel Harding. It turned out to be the main event of an otherwise routine evening.The concert opened with a short work by Oliver Knussen, Flourish with Fireworks.

The moment the first chord rang out in the Stern Auditorium at Carnegie Hall Monday night, the audience caught their breath. Opening with Felix Mendelssohn’s Violin Sonata in F Major, violinist Joshua Bell and pianist Sam Haywood set the tone for the rest of the evening.Mendelssohn’s Violin Sonata in F Major was performed with a controlled frenzy throughout.

The opening of a brand new concert hall is an incredibly proud event. Community supporters, local celebrities, media representatives and private donors flock to the premiere concert in tuxedos and limousines, doing their best to highlight the importance of such an occasion. More important and certainly more telling, however, is the first concert open to the general public.

The New York based Mostly Mozart Festival is easily overshadowed by Tanglewood Summer Season at the same time in Massachusetts, but it would be careless to underestimate its quality. The programme on August 5th, 2011 banished any doubt about its ability to live up to world standards.Conductor for the evening was Spaniard Pablo Heras-Casado.