En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Lawrence Renes

La Filarmónica Joven de Colombia bajo la dirección de Lawrence Renes llenó de grandeza el auditorio del Teatro Mayor Julio Mario Santo Domingo con la monumental Sinfonía núm. 8 de Bruckner.

Si la direction quelque peu verticale de Lawrence Renes ne convainc pas totalement, les musiciens de l'ONL ont livré une admirable performance musicale dans un programme entièrement vingtiémiste.

A dynamic and dreamy concoction from the London Philharmonic under Lawrence Renes, with impeccable performances from harp virtuoso Xavier de Maistre and LPO Principal Flute Juliette Bausor.

The Malta Philharmonic Orchestra, with their Dutch-Maltese conductor Lawrence Renes and the British soprano Emma Bell, embrace the cause of Wagner and Bruckner in the heart of the Mediterranean.

Die Dreiecksbeziehung mit tragischem Ausgang wurde von einem vollblütigen Sängerensemble und dem außergewöhnlich engagiert spielenden Mahler Chamber Orchestra getragen.

The New Zealander Heldentenor makes a welcome return to Auckland for Wagner's erotic song cycle. 

As Valletta celebrates its title as 2018 European Capital of Culture, the Malta Philharmonic gave an enthusiastic national premiere of Strauss' Ein Heldenleben.

The London Philharmonic Orchestra and Lawrence Renes demonstrate why one symphony, Bruckner's majestic Eighth, can successfully fill an entire concert evening.

A night of interesting contrasts and slight imbalances with Mahler's Third Symphony played by the Kungliga Hovkapellet (Royal Swedish Orchestra) and soloist Bernarda Fink under the baton of Lawrence Renes.

Annilese Miskimmon's production brings to life the sinister, stormy story of Janáček's masterpiece in an Irish setting.

A superb orchestral performance from Lawrence Renes and the Royal Swedish Opera Orchestra lights up Michael Cavanagh's well directed Nixon in China.

Seattle Opera closes its season with an Ariadne auf Naxos that highlights the comedy but only fitfully comes to life in the opera within the opera.  

An imaginative RSNO programme sandwiching fusionist Gershwin between unbelievably contrasting Shostakovich, seasoned with a little re-titling.

In Ole Anders Tandberg’s staging of Don Giovanni at the Swedish Royal Opera, the Don seems to prefer making love at gunpoint, or in a public lavatory under the threat of discovery. 

The Royal Swedish Opera's Salome, directed by operatic first-timer Sofia Jupither, is dramatic, and its strong directorial concept does not get in the way of the story. Nina Stemme sings astoundingly, and gives a nuanced portrayal of the title character.

The London Philharmonic Orchestra brought their HD Odyssey to a packed Bridgewater Hall, giving an audiovisual feast of John Adams, Richard Strauss and Gustav Holst alongside impressive footage of the Earth and space.The format was quite straightforward, with films playing on a large screen above the stage whilst the orchestra worked their way through the rich sound palettes of the programme.

In terms of Mozart’s piano concerti, K482 is known less for its intrinsic musical quality than its predecessor (K467) and its successor (K488), but it is more famous due to the unusual circumstances of its public introduction.

It’s difficult to believe that the current run of John Adams’ Nixon in China at the San Francisco Opera marks the opera’s local premiere. Adams is not only one of the leading composers of his generation, but he is also a celebrated local hero.

Of all the 'time arts', music is arguably best placed to convey impermanence. Frikki Walker's excellent pre-concert talk – the most philosophical I've experienced at an RSNO Friday evening concert – set this train of thought in motion.

In the relay race of Russian Romanticism, Rachmaninov clearly took the baton from Tchaikovsky and made a dash for the finishing line. In transcribing some of Tchaikovsky’s works, he would have imbibed much of his genius, but he took the Romantic tradition into the 20th century in a new direction without losing its essence.

The Hong Kong Philharmonic Orchestra clearly wore its heart on its sleeves in naming the opening concert for the 2011/12 season “Heaven and Earth”. There could be no mistake in matching the works to the title. Saturday’s performance showcased the versatility and maturity of the orchestra in handling sharply divergent artistic intentions. When they wrote their Symphony No.