En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Catherine Wyn-Rogers

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Madrid

19 abr 2021

Mártires y acosados: Peter Grimes en el Real

Por Juan José Freijo

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Alresford

The Rake's Progress at The Grange Festival: richly entertaining, but is there soul?

Por David Karlin, 23 junio 2024

Singing performances are excellent, the staging is well crafted and Stravinsky's eclectic score entertains from start to finish. But it's an evening's opera that doesn't touch the soul.

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Alresford

23 jun 2024

The Rake's Progress at The Grange: richly entertaining

Por David Karlin

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París

Dans les filets de Deborah Warner : Peter Grimes emporte Garnier

Por Tristan Labouret, 26 enero 2023

C'est peut-être l'événement de la saison à l'Opéra de Paris : dans le chef-d'œuvre de Britten, la metteuse en scène britannique fait des débuts remarqués dans la Grande Boutique.

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París

26 ene 2023

Dans les filets de Deborah Warner : Peter Grimes emporte Garnier

Por Tristan Labouret

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The power of the sea, the cruelty of the mob: Peter Grimes at The Royal Opera

Por David Karlin, 17 marzo 2022

Deborah Warner's intelligent new Covent Garden staging provides the perfect backdrop for a strong singing cast in Britten's maritime masterpiece.

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Londres

17 mar 2022

Potent sea, cruel mob: Peter Grimes at The Royal Opera

Por David Karlin

True Grimes: a gripping semi-staging of Britten’s opera

Por Matthew Rye, 30 noviembre 2019

A psychologically penetrating semi-staging of Britten’s Peter Grimes from leading soloists, the Bergen Philharmonic and its chief conductor Ed Gardner laid bare the opera’s music and drama.

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Londres

30 nov 2019

True Grimes: a gripping semi-staging of Britten’s opera

Por Matthew Rye

Dublin

A moving and spirited Gerontius in Dublin

Por Michael Roddy, 08 noviembre 2019

Conductor Kenneth Montgomery shaped a high-energy performance that at times raised the roof and at others was poignant and moving.

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Dublin

08 nov 2019

A moving and spirited Gerontius in Dublin

Por Michael Roddy

Ámsterdam

Enescus komplexer Oedipe in Amsterdam

Por Michael Klier, 06 diciembre 2018

Àlex Ollé inszeniert ein alle Sinne überwaltigendes Fest für die Augen.

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Ámsterdam

06 dic 2018

Enescus komplexer Oedipe in Amsterdam

Por Michael Klier

Melbourne

Sir Andrew Davis leads Elgar’s Gerontius in Melbourne

Por Patricia Maunder, 08 marzo 2018

The double choir triumphs in the MSO’s massive, mostly successful attack on an English choral masterpiece all too rarely performed in Australia.

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Melbourne

08 mar 2018

Sir Andrew Davis leads Elgar’s Gerontius in Melbourne

Por Patricia Maunder

Edward Gardner and the Bergen Phil storm the Edinburgh Festival with a powerful Peter Grimes

Por David Smythe, 13 agosto 2017

Stuart Skelton’s visceral Peter Grimes is matched by a strong cast with thrilling playing and singing from the Bergen Philharmonic Orchestra under Edward Gardner.

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Edinburgh

13 ago 2017

A powerful Peter Grimes in Edinburgh

Por David Smythe

Bergen

Psychologically splintered: Stuart Skelton leads a stellar Peter Grimes in Bergen

Por Mark Valencia, 30 mayo 2017

This Peter Grimes was a tale of two talents: the conductor and the star.

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Bergen

30 may 2017

A stellar Peter Grimes in Bergen

Por Mark Valencia

After an imperfect start, Dvořák’s Requiem catches fire at the Barbican

Por David Karlin, 13 abril 2017

The BBC Symphony Orchestra and Chorus grow in stature through an evening which provides a good introduction to the virtues of Dvořák’s seldom-played large scale choral work.

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Londres

13 abr 2017

Dvořák’s Requiem at the Barbican

Por David Karlin

Milton Keynes

Bitter wine: Frank Martin's Le Vin herbé an acquired taste

Por Mark Pullinger, 21 marzo 2017

Frank Martin’s Le Vin herbé is as anti-Wagnerian a work as you could imagine. It is also the odd one out in Welsh National Opera’s “Love’s Poisoned Chalice” spring season.

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Milton Keynes

21 mar 2017

Bitter wine: WNO's Le Vin herbé

Por Mark Pullinger

Anguish with or without words: the Philharmonia plays Schubert and Mahler

Por Charlotte Valori, 16 octubre 2016

Superb Schubert followed by some altogether more mysterious and disorientating Mahler makes for a Sunday night treat at the Royal Festival Hall with the Philharmonia Orchestra, conducted by Josep Pons.

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Londres

16 oct 2016

Anguish with or without words

Por Charlotte Valori

Inspired by Shakespeare: a London gala to celebrate The Bard

Por Mark Pullinger, 23 abril 2016

“If music be the food of love, play on, give me excess of it.” There was certainly plenty of Shakespeare-inspired music on the bill for the London Philharmonic Orchestra's celebration of The Bard.

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Londres

23 abr 2016

Inspired by Shakespeare: a London gala

Por Mark Pullinger

Viena

Shock of the new: Cornelius Meister and the Vienna RSO on new days, new seasons, new compositions

Por Chanda VanderHart, 09 abril 2016

Fingers and bows fluttered through dance-like figures and virtuosic passages packed with trills with astonishing clarity and brilliance.

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Viena

09 abr 2016

Shock of the new: Vienna RSO

Por Chanda VanderHart

París

La Ville Morte de Korngold à Radio France : un lyrisme coloré et irrésistible

Por Julie Jozwiak, 30 enero 2016

Le samedi 30 janvier 2016, La Ville Morte de Korngold était programmée à l'Auditorium de la Maison de la Radio. Marzena Diakun dirigeait un Orchestre Philharmonique de Radio France en pleine forme et une distribution vocale dominée par Camilla Nylund. Un délice.

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París

30 ene 2016

Irrésistible La Ville Morte de Korngold à Radio France

Por Julie Jozwiak

Seeing double: Kasper Holten’s Eugene Onegin returns to Covent Garden

Por Mark Pullinger, 19 diciembre 2015

Would a younger soprano taking the role of Tatyana blur Kasper Holten's "dancing doubles" vision of Eugene Onegin at the Royal Opera House?

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Londres

19 dic 2015

Seeing double: Kasper Holten’s Eugene Onegin

Por Mark Pullinger

Too good to be true: A very fine Rakes Progress at the Edinburgh International Festival

Por David Smythe, 12 agosto 2015

A successful concert hall Rake's Progress at the Edinburgh International Festival with an impressively strong cast of singers, Scottish Chamber Orchestra and Royal Conservatoire Voices under Sir Andrew Davis.

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Edinburgh

12 ago 2015

A very fine Rakes Progress at the EIF

Por David Smythe

Glyndebourne

Dark deeds under the microscope: Britten's Rape of Lucretia at Glyndebourne

Por David Karlin, 05 julio 2015

The Rape of Lucretia may be something of a problem piece, but Fiona Shaw's production is an excellent piece of ensemble theatre set around some very fine performances of music of rare beauty.

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Glyndebourne

05 jul 2015

Dark deeds under the microscope: Britten's Lucretia

Por David Karlin

Drab Dutchman at Covent Garden only partially redeemed by singers

Por David Larkin, 05 febrero 2015

A dark and minimalist staging doesn't quite fire Wagner's Flying Dutchman into life at the Royal Opera House, despite worthy performances from Bryn Terfel, Adrianne Pieczonka and others under the direction of Andris Nelsons.

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Londres

05 feb 2015

Drab Dutchman at Covent Garden

Por David Larkin

A traditional start to a traditional Proms season

Por Gavin Dixon, 18 julio 2014

A brave choice for a Proms season opener, but Elgar's ponderous score is presented in the best possible light by the BBC forces.

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Londres

18 jul 2014

A traditional start to a traditional Proms season

Por Gavin Dixon

Prom 45: Tippett's The Midsummer Marriage

Por Chris Garlick, 16 agosto 2013

It’s so good to hear Tippett’s ravishing opera, The Midsummer Marriage, performed in full at the Proms, particularly in Britten’s centenary year. Tippet’s work is like an antidote to Britten’s drier, more literal operatic style – so overflowing with warmth, colour and hope.

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Londres

16 ago 2013

Prom 45: Tippett's The Midsummer Marriage

Por Chris Garlick

Bristol

Handel's Messiah reworked for the last night of the Bristol Proms

Por Alexandra Hamilton-Ayres, 03 agosto 2013

The last night of the Bristol Proms was experimental. A full house at the Bristol Old Vic Theatre was greeted by artistic director Tom Morris to introduce this semi-staged version of Handel’s Messiah – last performed in the venue in 1782, when it was too sacrilegious for churches. Morris said that Handel was “a dramatist”, and to honour this, he took a more theatrical route with this performance.

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Bristol

03 ago 2013

Handel's Messiah reworked for the last night of the Bristol Proms

Por Alexandra Hamilton-Ayres

Sir Andrew Davis and RSNO in Mendelssohn's oratorio Elijah

Por Alan Coady, 17 mayo 2013

RSNO concerts begin, for me and around 100 others, with the pre-concert talk. I'm especially glad of these when new to a work, such as Mendelssohn’s 1846 Elijah. A talk by those who have prepared the music for us adds something to even the most extensive “presearch”. Sir Andrew Davis, in conversation with RSNO principal trombonist Dávur Juul Magnussen, came across as extremely witty and erudite.

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Edinburgh

17 may 2013

Sir Andrew Davis and RSNO in Mendelssohn's oratorio Elijah

Por Alan Coady

A fitting tribute to Sir Colin Davis: LSO and a superb cast perform Britten's The Turn of the Screw

Por Julia Savage, 16 abril 2013

Britten’s The Turn of the Screw, part of the London Symphony Orchestra’s contribution to the Britten 100 celebrations, was supposed to have been conducted by Sir Colin Davis; it was instead dedicated to his memory following his death last Sunday.

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Londres

16 abr 2013

A fitting tribute to Sir Colin Davis: LSO and a superb cast perform Britten's The Turn of the Screw

Por Julia Savage

Tokyo

An outstanding Peter Grimes in Tokyo

Por Nahoko Gotoh, 08 octubre 2012

Willy Decker’s production of Benjamin Britten’s Peter Grimes, which originated at La Monnaie in Brussels in 1994 and was revived at London’s Royal Opera House in 2004 and 2011, has now reached Tokyo. The work opened the new season of the New National Theatre Tokyo, the capital’s main opera house, currently celebrating its 15th anniversary.

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Tokyo

08 oct 2012

An outstanding Peter Grimes in Tokyo

Por Nahoko Gotoh

True to the spirit of Pushkin: ENO's Eugene Onegin

Por David Karlin, 12 noviembre 2011

Young man spurns the love of a good woman. Time passes. Man realises the error of his ways, but it is too late. It's not exactly the most taxing of plot lines, but in Eugene Onegin, Alexander Pushkin turned it into a masterpiece.

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Londres

12 nov 2011

True to the spirit of Pushkin: ENO's Eugene Onegin

Por David Karlin

Andrew Davis conducts a powerful telling of Britten's Peter Grimes

Por David Karlin, 21 junio 2011

English classical music is often associated with the countryside, the landscape and its villages, and Britten's opera Peter Grimes is no exception.

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Londres

21 jun 2011

Andrew Davis conducts a powerful telling of Britten's Peter Grimes

Por David Karlin

RSNO and Stéphane Denève: John Adams and Beethoven 9

Por Rohan Shotton, 05 mayo 2011

The final concert of the RSNO’s 2010-11 Usher Hall season was a journey from John Adams’ reflection on the tragedy of 11th September 2001 to Beethoven’s joyful statement of brotherhood in his Symphony No. 9. John Adams’ On the Transmigration of Souls was commissioned by the New York Philharmonic to mark the first anniversary of the 9/11 attacks.

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Edinburgh

05 may 2011

RSNO and Stéphane Denève: John Adams and Beethoven 9

Por Rohan Shotton

London Symphony Orchestra and Chorus perform all-Prokofiev programme

Por Hannah Gill, 03 abril 2011

This evening’s programme showed us two aspects of Prokofiev’s output – his serious concert works for the stage and on the other hand his more populist music composed for film. Both were highly exciting, colourful works, and both typical of Prokofiev in different ways.The First Violin Concerto was a curious mixture of the ethereal and rustic.