Seeing double: Kasper Holten’s Eugene Onegin

Por Mark Pullinger, 20 diciembre 2015

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“Letter Scene, in which the older Tatyana dictates to her younger self, is almost unbearably poignant”

Crítica hecha desde Royal Opera House, Covent Garden, Londres el 19 diciembre 2015

Chaikovskiï, Eugene Onegin

The Royal Opera

Semyon Bychkov, Dirección

Kasper Holten, Dirección de escena

Mia Stensgaard, Diseño de escena

Katrina Lindsay, Diseño de vestuario

Dmitri Hvorostovsky, Eugene Onegin

Nicole Car, Tatyana

Michael Fabiano, Lensky

Oksana Volkova, Olga

Catherine Wyn-Rogers, Filippyevna

Ferruccio Furlanetto, Prince Gremin

Diana Montague, Madame Larina

Jean-Paul Fouchécourt, Monsieur Triquet

David Shipley, Captain

James Platt, Zaretsky

Orchestra of the Royal Opera House Covent Garden

Royal Opera Chorus

Emily Ranford, Bailarín

Tom Shale-Coates, Bailarín

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Seeing double: Kasper Holten’s Eugene Onegin returns to Covent Garden