Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Evelyn Herlitzius

La magnífica producción de Elektra creada por Patrice Cheréau llega al Liceu bajo la dirección musical de Josep Pons, que al frente de la orquesta del teatro y junto a las voces de Herlitzius, Pieczonka y Meier recrean con gran éxito una de las parituras más bellas del s. XX.

Dans cette reprise d'une production créée en 2016, Bo Skovhus est magistral dans le rôle-titre. L'œuvre s'avère une nouvelle fois un des moments forts de la programmation de l’Opéra de Paris.

To outwit death and attain immortality is a dream as old as human history. But isn’t it precisely the finite nature of life that makes it so precious?

Young musicians and experienced stars combine for a thrilling Frau in its centenary year

The outstanding trio of Nylund, Stemme and Herlitzius soars above a Vienna State Opera Orchestra in thunderous form, led by Christian Thielemann to celebrate the Staatsoper's 150th birthday in style.

Manfred Trojahns Oper beginnt, wo Richard Strauss' endet: einmal noch wird Orest im Auftrag Elektras töten.

Sir Simon Rattle setzt mit der Walküre seinen konzertanten Ring mit dem BRSO fort – mit großem Erfolg.

Katie Mitchell's second production of Jenůfa is a straightforward, effective reading of the libretto well supported by excellent singing actors.

The Met’s production of Wagner’s Parsifal is a harrowing affair, entrancing in its refusal to charm. 

Powerful performances in Götz Friedrich's Deutsche Oper production. 

Cinq ans après sa création au Teatro alla Scala, l’Opéra de Paris accueille pour dix représentations (avec une double distribution) la production de Lohengrin mise en scène par Claus Guth. Dire que ce Lohengrin était attendu relève de la litote. Ce spectacle marque le grand retour sur scène de Jonas Kaufmann, après quelque quatre mois d’absence et d’inquiétudes. L’effervescence en ce mercredi soir était donc à son comble.

Evelyn Herlitzius and Adrianne Pieczonka are unsinkable in the the French director's final production, conducted with impressive symphonic sweep by Daniel Barenboim. 

Die Münchner Opernfestspiele präsentierten eine Lohengrin-Produktion, die nur bedingt dem Festspielniveau entsprach. 

Nach vier Ring-Abenden lassen am Schluss der Götterdämmerung Musikzauber und Bildmacht das Publikum gebannt zurück.

Mit einer musikalisch gradiosen Aufführung der Walküre und prägnant-wirkungsvollen Projektionen wurde in Budapest der Ring-Zyklus von Adam Fischer fortgesetzt.

Anna Netrebkos und Piotr Beczalas Lohengrin-Debüt unter Christian Thielemann an der Semperoper bringt das Haus zum Beben.

Anna Netreboko chose to perform her first Elsa in Dresden with Christian Thielemann conducting.  It was a remarkable performance never to be forgotten.

Elektra, as performed during the Deutsche Oper Berlin Strauss-Wochen: Such gorgeous music, we will all want to dance ourselves to death.

Mit enormer Ausdruckskraft verleiht Evelyn Herlitzius den zwei Seiten der Emilia Marty stimmlich und darstellerisch nuancierte Gestalt.

A conceptually diffuse production of Tristan from Katharina Wagner is partially redeemed by stirring orchestral playing under the direction of Christian Thielemann and some fine singing at the opening of the Wagner Festival at Bayreuth.

Sir Simon Rattle concludes the Ring Cycle in Vienna with a detailed and intricate reading of the opera with an excellent cast.

The evening clearly belonged to Stephen Gould’s Siegfried and Sir Simon Rattle and Vienna Orchestra.

The second opera of the Ring Cycle in Vienna brought the best out of the orchestra and singers with a sweeping and breath taking reading of the score by Sir Simon Rattle.

Trotz ihres Alters überwältigt Herbert Wernickes Inszenierung bis heute mit gewaltiger Bildsprache, doch gerade reduziertes Bühnenbild bedarf umso feinerer Personenregie.

A perfect cast and great conducting make the Bayerische Staatsoper's Die Walküre thrilling and memorable.

Zurich’s Opera House takes on Die Frau ohne Schatten, one of Richard Strauss’ most convoluted and technically demanding works. 

Parsifal at the Deutsche Oper Berlin is both sublime and terrifying. Vincke's Parsifal was bold and heroic while Herlitzius sang with a silver, sinuous soprano. Stolzl's production gave us the fanaticism of religion rather than hope.

The first opera of the season at La Scala is an event of huge cultural significance in Italy, so it raised some hackles when, for Giuseppe Verdi’s centenary year, the management passed over Verdi in favour of Wagner’s Lohengrin. But even Italians disappointed by the insult to their culture found it impossible to quarrel with the quality of the singing talent on show.

The Dresden Semperoper premiered a new production of Fidelio scarcely a month before the fall of East Germany. Much has changed in the intervening decade and a bit, but the Semperoper is still playing the same Fidelio. It doesn't take much knowledge of recent German history to understand why it was a sensation at the time.

Richard Strauss and Hugo von Hofmannsthal began their collaboration on Die Frau ohne Schatten (The Woman Without a Shadow) with utopian ambitions. Unfortunately they weren’t the same ones. For Hofmannsthal, this would finally be the opera where his poetry would be illuminated by rather than buried under the music.