En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Ain Anger

La primera jornada de la tetralogía El anillo del nibelungo se presenta en el Real bajo la dirección de Heras-Casado y Robert Carsen en una producción que cuenta con un reparto de lujo.

Este prosaico Anillo de Carsen vuelve oportunamente con un melancólico mensaje de decadencia.

Mit Piotr Beczała in der Titelrolle und Linda Watson als Ortrud ist eben auch manchmal das Unperfekte großartig.

Bei seinem Gastdirigat bei den Münchner Philharmonikern schlüpfte Omer Meir Wellber in viele Rollen und bot dem Publikum in der Philharmonie ein spektakuläres Programm zwischen neu und alt.

The EIF’s cycle comes to a fabulous end with RSNO and Andrew Davis leading a luxury cast, Christine Goerke’s emotionally powerful Brünnhilde a highlight. 

A terrific climax to the 2019 Pärnu Music Festival, with outstanding performances from Ain Anger and the Estonian Festival Orchestra.

Retour à Garnier pour Don Giovanni. La production de Ivo van Hove manque de dynamisme, mais est merveilleusement servie par un casting d'admirables jeunes talents.

We start with a triumphant Royal Opera debut from Stuart Skelton, we close with Nina Stemme at her finest; a thrilling orchestral performance links the two. A memorable Walküre.

Wagner is a rare bird in Perth; the second *Tristan und Isolde* in 12 years worth the wait, no less for being a concert performance, and for bringing Skelton's masterful interpretation to an Australian audience

Boris Godounov pour la première fois à Bastille dans sa version originale de 1869. Casting excellent, mais la transposition dans l'époque moderne souffre de dissonances avec le livret et la musique de Moussorgski.

The Cleveland Orchestra celebrated its 100th anniversary with a memorable concert performance of Tristan und Isolde with magnificent Nina Stemme.

Die Bayerische Staatsoper hat mit Richard Wagners Siegfried in der Inszenierung von Andreas Kriegenburg den Ring-Zyklus mit fabelhafter Besetzung fortgesetzt.

Die Bayerische Staatsoper hat den zweiten Teil des Ring-Zyklus mit exzellenter Besetzung unter der Leitung von Kirill Petrenko wahrlich meisterlich zurück auf die Münchner Bühne gebracht.

Mit Richard Wagners Rheingold hat die Bayerische Staatsoper einen soliden Auftakt für den wohl letzten Ring-Zyklus in München unter der Leitung von Kirill Petrenko abgeliefert.

David Pountney's new production of Die Walküre for the Lyric Opera of Chicago incisively charts the tectonic shift of control over the future from Wotan to Brünnhilde.

Semyon Bychkov turned in a magisterial account of Mussorgsky's rugged score, aided and abetted by some strong vocal performances.

With Andris Nelsons' withdrawal from Bayreuth last year, the BSO’s summer home, Tanglewood, became the venue for his Wagner with a concert performance of Das Rheingold

A festive air was palpable – the house was technically sold out – as the first of a set of three Ring cycles launched at the Wiener Staatsoper. 

Powerful performances in Götz Friedrich's Deutsche Oper production. 

Visually inconsistant but some mesmerising perfromances in Kirsten Harms' production. 

Music by the unhappy couple precedes a bombastic rendition of Janáček’s Glagolitic Mass by the Oslo Philharmonic orchestra and choir under Jukka-Pekka Saraste.

Bryn Terfel and Sir Antonio Pappano brought their excellent interpretation of the 1869 version of Mussorgsky's seminal opera to the Royal Albert Hall for a one-off revival.

Day two of Frankfurt Ring featured impressive stage work and some superior musical performances, but it was not enough to create a perfect evening of opera.

Die Bayerische Staatsoper eröffnet mit einer etwas handzahmen Inszenierung vom Fromental Halévys La Juive die Opernfestspiele 2016.

Richard Jones new production of Mussorgsky's episodic epic has plenty of strengths, but is marred by unappealing designs and rushed tempi.

A disconcerting production of The Flying Dutchman where the staging misses the boat.

This performance marked Sir Mark Elder’s debut with the company and, beginning with the overture, he offered his individual interpretation of the score. He had an enormous range of dynamics and his tempi varied widely with the emotional values of each scene.

Giuseppe Verdis Aida hält alles bereit, was man für eine bombastische Operninszenierung braucht. Doch was, wenn man einfach auf den ganzen Pomp verzichtet und eine ganz schlichte Inszenierung wählt?

Chowanschtschina ist ein Gesamtkunstwerk, das an der Wiener Staatsoper nicht mit der Regie, doch mit musikalischen Leistungen besticht.

Boston Symphony Orchestra Music Director Andris Nelsons experienced his first time leading the Tanglewood Music Center Orchestra – and hundreds of other performers – in Mahler’s Symphony no. 8.

In Vienna State Opera's new production of Rigoletto, director Pierre Audi brings us close to a Rigoletto less freakish, more identifiably everyday. 

Soprano Regine Hangler and tenor Andreas Schager made their Cleveland debuts in Strauss’s most difficult to cast opera, accompanied by virtuoso playing from the orchestra.

All five of the Houston Grand Opera’s performances of Die Walküre sold out immediately – more than 13,000 seats – and there are several good reasons why.

A pleasing performance from WNO of The Flying Dutchman, with Eric Owens brooding magnificently over the whole. 

Was haben eine betrogene Backpackerin, ein nackter Alter, ein prolliger Frauenheld und ein düsterer Containerbahnhof mit Mozarts Oper Don Giovanni gemeinsam? Nicht viel. Stefan Kimmigs Inszenierung an der Bayerischen Staatsoper ist sehr modern und hinterlässt den Zuschauer ratlos – im Gegensatz zum hervorragenden Ensemble.

A strong cast headed by Peter Seiffert perform in this visually appealing Tannhäuser at the Deutsche Oper in Berlin, where Markus Brück excels as Wolfram and Petra Maria Schnitzer takes on the role of the temptress Venus and the saintly Elisabeth.

Khovanshchina offers ample opportunity for massive, haunting and grandiose vocal display,  beautifully realized by a remarkable cast led by Ain Anger, Elena Maximova and Ferruccio Furlanetto.

Sometimes catching a performance with its second cast can be as revealing as attending a first night, and that was the case with this production of Rigoletto by the Canadian director Robert Carsen at La Monnaie in Brussels.

Mussorgsky’s rich, complex music and Boris Godunov’s tragic story is told with very original vision in Tugan Sokhiev’s concert version. The Salle Pleyel made no mistake about it: this Boris will stay in our memories for a while.

In Act II of Tannhäuser, Hermann, Landgrave of Thuringia, sets the theme of the singing contest that is about to take place in his hall by asking: “Can you describe love’s nature to me?” To some extent, the entire opera is an examination of two very different answers to that question.