Khovanshchina: A musical feast at the Staatsoper

Por Chanda VanderHart, 20 noviembre 2014

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Crítica hecha desde Wiener Staatsoper, Viena el 18 noviembre 2014

Musorgskiï, Khovanshchina

Wiener Staatsoper

Semyon Bychkov, Dirección

Elisabeth Kulman, Marfa

Christopher Ventris, Prince Andrei Khovansky

Herbert Lippert, Prince Vasily Golitzin

Norbert Ernst, Scrivener

Andrzej Dobber, Boyar Fyodor Shaklovity

Ain Anger, Dosifey

Ferruccio Furlanetto, Prince Ivan Khovansky

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Orsolya Gyárfás, 19th April

Marco Armiliato’s conducting thrills and Federica Lombardi's radiant Amelia stands out in the Wiener Staatsoper’s latest revival of Simon Boccanegra.

***11

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Laura Servidei, 18th April

In a world where opera productions often stray into the abstract, the Wiener Staatsoper’s Tosca offers a refreshing return to tradition – and Anna Netrebko delivers a splendid performance.

****1

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Isabella Steppan, 11th April

An der Staatsoper siedelt Simon Stone Bergs Oper im modernen Wien an, wobei die Inszenierung bedrückend aktuell ist. Und auch musikalisch hat der Abend viel zu bieten, insbesondere dank dem Orchester unter Franz Welser-Möst.

****1

Parsifal an der Wiener Staatsoper: und es ward Licht im Gralsgefängnis

Snapdragon, 5th April

Die Inszenierung von Kirill Serebrennikov passt zwar nicht zur Atmosphäre, gesanglich – mit Klaus Florian Vogt in der Titelrolle – begeistert die Vorstellung jedoch umso mehr.

****1

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Ermonela Jaho returns to one of her signature roles as Cio-Cio-San, delivering a searing and deeply nuanced portrayal.

****1

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Chanda VanderHart, 12th March

The creative team behind the new Staatsoper Clemenza is unwilling to trust that Mozart’s opera is interesting enough to stand on its own.

***11

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Chanda VanderHart

Dr. Chanda VanderHart is a pianist, musicologist and creative who lives, works and plays in Vienna, Austria. For more on Chanda and her projects, click here.

Khovanshchina at the Staatsoper: A musical feast, but a directorial debacle