En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Boris Giltburg

Scintillating Mozart meets soul-searching Bruckner as Anja Bihlmaier and the NSOI deliver a programme of vivid contrasts and compelling musical storytelling.

Le chef et le pianiste invités ont été à la tête d'interprétations remarquables d'œuvres pas si couramment programmées, de la Fantaisie op. 80 de Beethoven à la Sixième Symphonie de Bruckner...

Boris Giltburg emphasising the expression in not one but two piano concertos, with commanding performances from Lawrence Foster and the Philharmonia.

The Hallé’s Principal Conductor, Kahchun Wong, dances his way through an authoritative account of Shostakovich’s Fifth Symphony at the Glasshouse, Gateshead. 

Vasily Petrenko frames his Royal Philharmonic Orchestra programme with Berg and Stravinsky, with Boris Giltburg playing Beethoven's Emperor Concerto in between. 

La création belge de Eco… del vuoto de la compositrice Annelies Van Parys a ouvert de fort belle manière la saison nouvelle, mais le reste de la soirée fut moins enthousiasmant.

An evening of two halves, each demonstrating different facets of conductor, soloist and orchestra in performances of Brahms and Vaughan Williams.   

The Russian-Israeli pianist serves up a richly varied mezze of 38 Chopin and Rachmaninov preludes at Wigmore Hall. 

Michael Seal, Boris Giltburg and the CBSO present an evening of glamour and horror, pairing Rachmaninov’s Rhapsody on a Theme of Paganini with the unforgettable anguish of Shostakovich’s Symphony no. 8.

Antony Hermus searches for menace and intrigue in the BNO's programme in Amsterdam's Concertgebouw. 

A packed house and an anticipatory buzz greet Boris Giltburg in a programme ranging from poetic Chopin to grisly Ravel.

An ongoing collaboration between pianist Boris Giltburg and the Pavel Haas Quartet stays fresh and fearless at the Rudolfinum.

Vasily Petrenko continues to show a marked facility for Vaughan Williams with a terrific performance of A London Symphony, preceded by a most interesting Emperor Concerto with Boris Giltburg.

Aux côtés d'un Boris Giltburg explosif, Cristian Măcelaru et l'ONF se complaisent dans un perfection sonore absolue qui confine parfois à une certaine platitude.

Accompagné ou non du splendide Pavel Haas Quartet, Boris Giltburg fait merveille dans Debussy, Ravel et Franck.

Boris Giltburg joins The Hallé for Rachmaninov's Fourth Piano Concerto, the emotional heart of the evening.

An evening of Brahms quintets at Wigmore Hall, where the Pavel Haas Quartet are joined by Boris Giltburg and Pavel Nikl. 

Kirill Petrenko's remarkable artistry and Boris Giltburg's vibrant piano-playing are the highlights of the Santa Cecilia's performance.

Written for a large virtuoso orchestra, Ravel himself reduced La Valse's teeming complexity to a very difficult piano solo – it is not uncommon to find “complete” live or recorded surveys of the composer’s piano music which simply omit it. But it held no terror for this artist.

A great chamber music experience, at the end of one of music’s most challenging years.

Not one, but two piano concertos in the Malmö Live Konsertsalen, with a Finnish filling in Patrik Ringborg's Shostakovich sandwich.

Boris Giltburg provides a captivating interpretation of Beethoven’s Third Piano Concerto, filled with youthful flair. 

Joshua Weilerstein returns to Liverpool with a rewarding programme of Rossini, Stravinsky and Beethoven.

Giltburg's playing was like liquid silver pouring out of the Steinway.

As part of their ‘summer’ season, Vasily Petrenko conducted the RLPO in Mendelssohn’s sunny “Italian” Symphony. Boris Giltburg uses Beethoven’s Emperor as a showcase for his flawless talents.

A Russian double bill from the Rotterdam Philharmonic in their own turf under Stanislav Kochanovsky.

A triumphant night for the CBSO, Harish Shankar and Boris Giltburg, with the mighty Saint-Saëns’ “Organ Symphony” and an inspired performance of Prokofiev’s Piano Concerto no. 3.

In a programme guaranteed to draw the crowds the Bournemouth Symphony Orchestra were on sparkling form with dynamic playing too from pianist Boris Giltburg.

Il n'y a que Radio France qui puisse consacrer six récitals de piano dont la programmation tourne autour de la Révolution russe de 1917.

Giltburg impresses with his warm sound and thoughtfulness in Tchaikovsky's First Piano Concerto while Martín and the NSO revel in Schoenberg's transcript of Brahms' Piano Quartet no. 1 

En ce samedi 4 juin la Salle Gaveau a l’honneur et la chance d’accueillir le pianiste israélien Boris Giltburg, pour un récital organisé par l’association des « Amis de Marie-Laure » en coproduction avec la Salle Gaveau.

Besides Giltburg’s superlative play in Grieg, Saraste’s Sibelius swept you off your feet. 

In an exciting programme of Prokofiev, Penderecki and Lutoslawski, two musicians debuted with the Rotterdam Philharmonic. Both impressed greatly.

This was a concert that provided the opportunity for so many individual musicians to shine and the Bournemouth Symphony Orchestra’s shone brightly, showcasing its truly amazing talent. 

Boris Giltburg was one of the must-see performers of this year’s Cheltenham Music Festival, having won the prestigious Queen Elisabeth Competition for pianists back in June. The hall at the Pittville Pump Room was packed full of anticipation for this renowned pianist.

London’s Wigmore Hall, famous for its elegant concert hall and outstanding acoustics, has become synonymous with exceptional piano music. Having played host to a number of celebrated performers and composers, from Arthur Rubinstein to Saint-Saëns, Benjamin Britten to Joshua Bell, Wigmore Hall also ushers in today’s latest classical stars.One such star is Boris Giltburg.