En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Marius Petipa

La versión que nos presenta José Carlos Martínez hace guiños inteligentes al amplio público, suavizando en lo posible la atmósfera, usualmente recargada, de otras muchas versiones.

El ingenio coreográfico de Scarlett encandila a los amantes de la danza. El cisne de Marianela Núñez y la elegancia aristocrática de Vadim Muntagirov trascienden lo técnico para contar desde la emoción.

El idealismo oriental de La Bayadera en la versión del Ballet de Monterrey, exhibe una recatada atmósfera imperialista teñida por la sustancia trágica y simbólica de sus personajes.  

La frescura del ballet Don Quijote encandila al público tras la prolongada ausencia de la CND en Galicia. Una versión, que huye de los estereotipos recreando el folclore español.

El Ballet Nacional de Cuba trae a Madrid El cascanueces para su encuentro anual con el público español, con coreaografía firmada por Alicia Alonso y acompañados por la Orquesta Sinfónica Verum.

La revisión de la redacción musical resulta un trabajo excelente que se aprecia y se agradece 

Nuevamente vimos a dos enamorados bailando el triunfo de su amor, algo más difícil de avistar que pirouettes intercalados en los fouettes.

La Compañía Nacional de Danza propuso un delicado programa que recorre los puntos fuertes de la agrupación en el Teatro Real, y donde la elección estrella fue In the nigth de Jerome Robbins.

El Ballet Nacional de Cuba se despide de la escena madrileña con el clásico Don Quijote, con la coreografía versionada por Alicia Alonso sobre la original de Petipa.

El Ballet Nacional de Cuba lleva a los Teatros del Canal la exigente adaptación de Alicia Alonso de El lago de los cisnes, un amplio despliegue de técnica y virtuosismo para recrear la historia de la princesa hechizada.

Estos extraordinarios bailarines, amantes del clasicismo, juegan con la rigidez, los brillos y las muchas sombras que se ocultaban, y ocultan, tras las bambalinas de las grandes compañías de danza que hicieron furor en el siglo XX. 

With Tchaikovsky’s music, glittering visual spectacle and wonderful dancers, The Australian Ballet's The Sleeping Beauty is a thrilling night at the ballet.

ABT's Giselle was the kind of glamorous, old-school ABT night of yore. You sensed the entire company leveled up for the occasion. One hopes that Smirnova will return in the future.

Hungarian National Ballet's La Bayadère revitalizes tradition with a new reconstruction of its forgotten final act. 

ABT's Swan Lake suffered due an obvious lack of rapport between its lead dancers but there was still some fine dancing on offer.

American Ballet Theatre Studio Company showcase the talents of its youthful dancers in a diverse and demanding programme at the Linbury.

Two masterworks by Jerome Robbins, Brandenburg and A Suite of Dances, are joined by Wheeldon's steamy After the Rain and Ratmansky's Paquita challenge.

Brno National Theatre Ballet give an authentic Don Quixote indelibly forged in Madrid, offering tremendous dancing in two separate casts.

National Ballet of Japan has revived their production of Giselle, ahead of their tour to the Royal Opera House in London, replicating the triumphant success it had in 2022.

Kansas City Ballet's first love affair with Don Quixote is a striking and well-danced success.

In the first revival of National Ballet of Canada's 2022 Swan Lake, a strong corps de ballet and star turn by Genevieve Penn Nabity almost overcome a muddled visual concept. 

Peter Martins' Swan Lake continues to divide ballet fans. Can Sara Mearns unite them, 19 years after her astonishing debut as Odette-Odile? 

Ballet of the National Theatre Brno, with guest artists, gave outstanding performances of this update of a great 19th century ballet.

Premiered with Norwegian National Ballet in 2009, this Don Quixote is packed with high energy classical and character roles and is colourful and extravagant.

A welcome revival of Javier Torres' condensed version of The Sleeping Beauty with Finnish National Ballet provides challenges for the entire company.

English National Ballet give a meticulous account of Mary Skeaping's glorious Giselle.

The Royal Albert Hall turns out to be a wonderful venue for Birmingham Royal Ballet's transporting Nutcracker.

Le ballet remonté par Pierre Lacotte en 2001 est un classique du répertoire de l’Opéra de Paris qui permet de voir de nouveaux talents faire leurs preuves sur scène en cette fin d'année. 

The best performances of Balanchine’s Nutcracker are always the SAB children. Year after year, they capture not just the steps but the emotions behind Nutcracker.

Brimming with festive season joy, the Australian Ballet gives an exuberant performance of a Peter Wright classic: The Nutcracker. 

In the third revival since 2014, Peter Darrell's 1973 Nutcracker still has all the right ingredients to send the audience home feeling joyous.

Artistic Director, Susan Jaffe, reviving the Kingdom of the Shades for ABT’s Fall Season was both a testament to her trust in her company, and also a test.

National Ballet of Japan opened their 2024/25 season with Eagling’s The Sleeping Beauty. Haruka Sassa's Aurora, guesting from Staatsballett Berlin, and prima ballerina, Yui Yonezawa, debuting as the Lilac Fairy, were highly impressive. 

Jamiel Devernay-Laurence's Ballet Nights series is growing rapidly in appeal, just one year after its launch. With ever more ambitious projects afoot and a packed Cadogan Hall, it's worth seeing.

The State Ballet of Georgia's first visit to London has proved competent but lacking vitality. However there is plenty of talent – it just needs realising.

An innovative angle on a familiar ballet, Benjamin Pech's production brings some novel ideas to fore.

It’s the white acts which are the highlight of this Swan Lake by the Sofia Opera and Ballet, made all the more magical by the setting at Pancharevo Lake.

The Royal Ballet School students shine at their annual matinée at the Royal Opera House showing exceptional talent and versatility.

A star was born, and she was launched into the galaxy. Impressive New York debuts in Swan Lake from Chloe Misseldine and Aran Bell.

While this acrobatic version of Swan Lake will garner much appreciation from the general public seeking spectacle, it is not representative of good classical ballet.

The Royal Ballet School deliver a promising mixed programme with some truly exceptional individual performances.

Superstar dancer Carlos Acosta's Don Quixote debuts at the National Ballet of Canada, showcasing thrilling dancing in a sumptuous, sun-filled Spanish setting. 

Czech National Ballet are well suited to Ronald Hynd's delightful production of Coppélia.

Two very impressive debuts in the lead roles of Liam Scarlett's Swan Lake with The Royal Ballet, bodes well for the futures of Mariko Sasaki and Joseph Sissens.

National Ballet of Japan has revived its version of La Bayadère choreographed by former director Asami Maki. Brilliantly performed by strong lead dancers, the Kingdom of the Shades was particularly breathtaking.

Dawson’s stripped-down production throws the impetus immediately on his choreography, whilst keeping the bones of the story clearly in sight.

Visually splendid, Liam Scarlett's Swan Lake showcases some wonderful dancing, but there is still room for improvement. 

Bringing dance to the Docklands, this programme offered a range of genres and some star turns.

Sir Peter Wright's The Sleeping Beauty exudes that magical, ageless feeling, here brought to life by a new and enchanting performance of the title role.