En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Götterdämmerung: Brünnhilde's Immolation

La OFUNAM ofreció un programa de degustación del catálogo de Wagner con la participación de la soprano Othalie Graham interpretando selecciones de Tristán e Isolda y de El ocaso de los dioses

The Orchestra Sinfonica Nazionale della Rai impresses in “bleeding chunks” from Wagner operas at the Festival de Pâques d'Aix-en-Provence.

Zubin Mehta returns to Disney Hall, demonstrating the multifaceted implications of Wagner and his “music of tomorrow”.

Début de saison en demi-teinte pour l'Orchestre symphonique de Québec : Fabien Gabel se montre en très grande forme dans un programme tout Wagner où Petra Lang déçoit.

This concert, with a running time of about two hours, was a lovely dip in the Rhine without the usual four-to-five hour Wagnerian full immersion.

Maestro Jordan did not present a cut down version of the score. Every instrument Wagner called for was on stage, even the six harps, but the only sung piece was Brünnhilde’s Immolation. 

Christian Thielemann, the Staatskapelle Dresden and a star-studded cast compress Wagner's Ring cycle into a tale of Siegmund, Sieglinde, Hunding and Brünnhilde.

With disappointing Schumann followed by engrossing, but incomplete, excerpts from Wagner's Götterdämmerung, Marek Janowski and the Oslo Philharmonic fail to make a splash.

The Vienna Philharmonic Orchestra, led by Maestro Gergiev, showed off their brilliant versitility, and gave us a taste of Wagner's Ring.

After a concert last week made inaudible by thunder and a very heavy rain storm, The Cleveland Orchestra and its music director Franz Welser-Möst returned to Blossom Music Center this past Saturday in much more auspicious circumstances – a gorgeous, warm, non-humid evening – for a generous helping of excerpts from the operas of Richard Wagner, in celebration of that composer’s bicentenary.

The Wagner bicentennial marches on, bringing grand sounds from practically every corner of the musical earth. What appear most frequently on concert programs are various extracts from the operas, such as the collection of preludes, overture, and vocal and orchestral excerpts offered by the Boston Symphony Orchestra and Daniele Gatti at Carnegie Hall.

Juanjo Mena launched the BBC Philharmonic’s season with an all-Wagner programme which, despite some small faults, featured some excellent playing.The main issue was soprano Brigitte Hahn’s projection, particularly in the Götterdämmerung finale.

The Last Night of the Proms isn't really a concert: it's more like going to the cast party for the Proms season.