En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Ruhe, meine Seele, Op.27 no.1

La muerte se convierte en la protagonista del segundo concierto del XXVI Ciclo de Lied, interpretado por el barítono alemán Matthias Goerne.

Diana Damrau, Jonas Kaufmann and Helmut Deutsch's European tour reaches Berlin with a heart-on-sleeve programme of Lieder by Strauss and Mahler. 

The final date in their recital tour brought the Norwegian soprano and pianist to London for a programme where Grieg outshone Strauss and Wagner.

Marlis Petersen et Stephan Matthias Lademann ont offert au public de Bozar une passionnante expérience imaginaire et poétique, à travers un répertoire fin de siècle très émouvant.

“I missed dress applause!” Renée Fleming returns to live performance in style with a recital alongside pianist Inon Barnatan. 

L'Opéra du Rhin renoue avec les récitals, en invitant Matthias Goerne et Alexander Schmalcz à Strasbourg dans un programme post-romantique.

Kaufmann’s magnificent instrument was not seen at its best in songs by Strauss, but there was pleasure from his clear artistry and the interesting orchestral pieces played by the BBCSO.

The Orchestra of the Age of Enlightenment resurrected with 1926 silent film of Strauss' Viennese comedy – with the lost ending pieced together – and gave a commendable performance of the reduced score.

After a shaky start with Metamorphosen, the Oslo Philharmonic embodies the evening's theme of transformation by ending on a stonker of a Petruskha, via the perenially fabulous Lise Davidsen.

A voice with the proportions of a cathedral; a higher register that's entirely secure; an attention to text. Rosenblatt Recitals gave a tantalising preview of a singer who will have a stellar career.

A programme of songs by Wolf, Strauss, and Scandinavian composers, with Iréne Theorin and Ulrika Tenstam.

Despite Richard Strauss' few connections with Leipzig, the Gewandhaus Orchestra under Riccardo Chailly offered a vivdly characterized tribute to the composer on his 150th anniversary, from an affectionate Don Quixote to a witty - and furiously paced - Till Eulenspiegel.