Strauss on screen: the OAE presents Rosenkavalier

Por Dominic Lowe, 19 mayo 2018

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“the reduced orchestra played like clockwork, gleaming silver filigree from below the screen”

Crítica hecha desde Queen Elizabeth Hall, Londres el 17 mayo 2018

Strauss R., Ruhe, meine Seele, Op.27 no.1

Strauss R., Cäcilie, Op.27 no.2

Strauss R., Heimliche Aufforderung, Op.27 no.3

Strauss R., Morgen! Op.27 no.4

Strauss R., El caballero de la rosa (Salon score)

Charlotte Beament, Soprano

Orchestra of the Age of Enlightenment

Geoffrey Paterson, Dirección

Una gran sinfonía para un gran final

David Santana Cañas, 30th May

Elgar, Strauss y el Sibelius más épico son el repertorio elegido por Ibermúsica para cerrar su Serie Barbieri de la mano de Thierry Fischer.

****1

Immersive OAE submerged at Southbank’s Multitudes festival

Mark Valencia, 22nd April

The road to immersion is paved with modish deflections as the Orchestra of the Age of Enlightenment performs 20th-century English string music.

**111

Mixed Mozart from the Orchestra of the Age of Enlightenment

Dominic Lowe, 26th February

A Mozart's of symphonies – his last – under conductor Robin Ticciati is capped with a fine Jupiter, but is let down by the performances of its two predecessors.

***11

Haydn pur: Sir András Schiff mit dem OAE in Dortmund

Jens Klier, 19th November

Die Melange aus bestimmter Lässigkeit und zwinkernder Süffisanz ließ bei neuerlichem Haydn dieser geistreichen Londoner Künstlergemeinschaft wieder kaum redensartliches Auge trocken.

****1

John Butt and the OAE celebrate Handel's Solomon

Roy Westbrook, 12th October

The Queen of Sheba is clearly in a hurry in this account of Handel's oratorio at the Queen Elizabeth Hall.

*****

Enescu Festival immersion: Bach on the street, Klimt in the forest

Peter Quantrill, 11th September

At the George Enescu International Festival, a pair of new shows crossing genres and reinventing the classics, with mostly enlightening results.

****1

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Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.

Strauss on screen: the OAE presents film adaptation of Der Rosenkavalier