A transformative experience in Oslo

Por Jack Dhainaut, 09 febrero 2018

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“Cäcilie burst forward from Petrenko’s baton like a sunbeam through the clouds”

Crítica hecha desde Oslo Concert Hall (Konserthus), Oslo el 8 febrero 2018

Stravinsky, Petrushka

Strauss R., Metamorfosis

Strauss R., Ruhe, meine Seele, Op.27 no.1

Strauss R., Cäcilie, Op.27 no.2

Strauss R., Heimliche Aufforderung, Op.27 no.3

Strauss R., Morgen! Op.27 no.4

Lise Davidsen, Soprano

Oslo Philharmonic

Vasily Petrenko, Dirección

Noche hipnótica con Trpčeski y Petrenko

Tatiana Aráez, 31st January

La Orquesta Filarmónica de Oslo, con el laureado Vasily Petrenko a la batuta, en Madrid, un concierto remarcable en el que el solista, Simon Trpčeski, demostró una técnica y claridad pianística abrumadora.

****1

Virtuosity and volume: Oslo Phil plays Tchaikovsky and Shostakovich

Chanda VanderHart, 22nd January

Batiashvili’s account of the Tchaikovsky concerto confirms why she remains one of the most compelling violinists of her generation.

***11

Coup double dans Chostakovitch pour Mäkelä et l'Orchestre d'Oslo

Jean-Pierre Rousseau, 20th January

Le chef finlandais et l'orchestre norvégien ont donné une interprétation admirable – mais presque trop belle – des Sixième et Huitième Symphonies de Chostakovitch.

****1

Batiashvili, Mäkelä and the Oslo Philharmonic in Hamburg

Mengguang Huang, 18th January

A last-minute programme change doubles Batiashvili’s Tchaikovsky at the Elbphilharmonie, but repetition is transformed into fresh revelation.

****1

A high Klaus operation: Mäkelä and the Oslo Philharmonic

David Karlin, 23rd October

In their home concert hall under their Chief Conductor, the Oslo Philharmonic produce a high quality performance of Tchaikovsky's Fourth Symphony.

****1

Das Sichtbare und das Unsichtbare: Oslo Philharmonic und Klaus Mäkelä

Svenja Koch, 1st September

Triumph ohne Triumphalismus: Schostakowitschs Symphonie Nr. 5 begeistert das Publikum beim Musikfest Berlin.

****1

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Jack Dhainaut

Having studied foreign languages and literature at King’s College, Cambridge and the École Normale Supérieure de Lyon, Jack is currently teaching English and French in a small but lovely village in deepest Catalonia, where he is one of two tenors in the local choir. A double bassist and erstwhile clarinettist, his musical interests range from the symphonies of Shostakovich to the Catalan Nova Canço.

A transformative experience: Petrenko conducts Strauss and Stravinsky in Oslo