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Intérprete: Laurence Cummings

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Cambridge1765: Times of Transition

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Mozart, Philidor, Haydn, Telemann
Academy of Ancient Music; Laurence Cummings; Amanda Forsythe

Londres1765: Times of Transition

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Mozart, Philidor, Haydn, Telemann
Academy of Ancient Music; Laurence Cummings; Amanda Forsythe

LondresL'incoronazione di Poppea

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Monteverdi: L'incoronazione di Poppea, SV 308
Laurence Cummings; Academy of Ancient Music; Ed Lyon; Anna Dennis; Katie Bray

CambridgeThe Art of the Harpsichord

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Bach, Telemann, Handel, von Bayreuth, Laschanzky, Pasquini
Academy of Ancient Music; Laurence Cummings; Alastair Ross

LondresThe Art of the Harpsichord

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Bach, Telemann, Handel, von Bayreuth, Laschanzky, Pasquini
Academy of Ancient Music; Laurence Cummings; Alastair Ross

CambridgeSeptet: Beethoven & Hummel

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Hummel, Beethoven
Academy of Ancient Music; Laurence Cummings
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Monteverdi and Ulisse return happily to Garsington Opera

Ed Lyon (Ulisse) © Julian Guidera
Laurence Cummings and John Caird’s second Garsington exploration of the operas of Monteverdi brims with wonderfully playing and singing in an attractive setting.

Cummings and the AAM win ‘Leipzig's Got Talent’

Helen Charlston, Rowan Pierce, Nick Pritchard and Ben Kazez with the AAM © Mark Allan
The Academy of Ancient Music poses the question what might have been in Leipzig with stunning performances of Bach and his competitors to be the new Thomaskantor. 

Freudian slip: Handel’s Tamerlano recast as Trumpian tantrums

Jonathan Brown (Leone) © Craig Fuller
Opha Phelan’s staging presents the action as a grand, Freudian social experiment. It’s a risk – but the production is lifted by outstanding performances from the cast and the Academy of Ancient Music.

Ed Lyon excels in Monteverdi’s Songs of Love and War

Ed Lyon © Nik Pate
Tenor Ed Lyon fulfils a long-held ambition to sing Monteverdi's Eighth Book of Madrigals, conducted by his former teacher, Laurence Cummings at Milton Court.

An acrobatic Orpheus and Eurydice in Edinburgh

Orpheus and Eurydice © Jess Shurte
The music plays second fiddle to Australian circus company Circa in Yaron Lifschitz’s production of Gluck's great opera. 

Strong team for a Good Friday St John Passion

The Academy of Ancient Music © Benjamin Ealovega
The greatest music of the 18th century – no arguments, please – is given a fine reading at London's Barbican.