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HalleAgrippina
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Haendel: Agrippina
Laurence Cummings; Walter Sutcliffe; Oper Halle; Aleksandar Denić; Frank Schönwald; Händelfestspielorchester Halle; Chor der Oper Halle
LondresHandel's SerseVersion de concert
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Haendel: Serse (Xerxes)
Laurence Cummings; Academy of Ancient Music; Choir of the Academy of Ancient Music; Rachel Redmond; Louise Alder
ManchesterThe Hallé - St John Passion
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Bach: Passion selon saint Jean, BWV245
The Hallé; Laurence Cummings; Ed Lyon; George Humphreys; Nardus Williams; Reginald Mobley
High WycombeIl ritorno d'Ulisse in patriaNouvelle production
Monteverdi: Il ritorno d'Ulisse in Patria (Le Retour d'Ulysse dans sa patrie), SV 325
Laurence Cummings; John Caird; Garsington Opera; Robert Jones; Paul Pyant; The English Concert
LondresHerculesNouvelle production
Haendel: Hercules
Laurence Cummings; Barrie Kosky; The Royal Opera; Katrin Lea Tag; Joachim Klein; Orchestra of the Royal Opera House Covent Garden
Critiques récentesEn voir plus...
Au Theater Basel, le sacre de Poppée à l’heure de la Realpolitik
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Le metteur en scène suisse frappe très fort en se livrant comme rarement sur ses craintes géopolitiques, dans une production qui fait de l'œuvre de Monteverdi un fascinant manifeste d’ascétisme, d’austérité, d’aridité.
Le ravissement de Semele à Londres
À la Royal Academy of Music, Semele de Händel offre une expérience jubilatoire et rafraîchissante. Mise en scène ingénieuse et jeunes chanteurs talentueux sont au menu de cette production.
Cummings and the AAM win ‘Leipzig's Got Talent’
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The Academy of Ancient Music poses the question what might have been in Leipzig with stunning performances of Bach and his competitors to be the new Thomaskantor.
Freudian slip: Handel’s Tamerlano recast as Trumpian tantrums
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Opha Phelan’s staging presents the action as a grand, Freudian social experiment. It’s a risk – but the production is lifted by outstanding performances from the cast and the Academy of Ancient Music.
Ed Lyon excels in Monteverdi’s Songs of Love and War
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Tenor Ed Lyon fulfils a long-held ambition to sing Monteverdi's Eighth Book of Madrigals, conducted by his former teacher, Laurence Cummings at Milton Court.
An acrobatic Orpheus and Eurydice in Edinburgh
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The music plays second fiddle to Australian circus company Circa in Yaron Lifschitz’s production of Gluck's great opera.