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Artiste: Laurence Cummings

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Cambridge1765: Times of Transition

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Mozart, Philidor, Haydn, Telemann
Academy of Ancient Music; Laurence Cummings; Amanda Forsythe

Londres1765: Times of Transition

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Mozart, Philidor, Haydn, Telemann
Academy of Ancient Music; Laurence Cummings; Amanda Forsythe

LondresL'incoronazione di Poppea

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Monteverdi: L'incoronazione di Poppea (Le Couronnement de Poppée), SV 308
Laurence Cummings; Academy of Ancient Music; Ed Lyon; Anna Dennis; Katie Bray

CambridgeThe Art of the Harpsichord

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Bach, Telemann, Haendel, von Bayreuth, Laschanzky, Pasquini
Academy of Ancient Music; Laurence Cummings; Alastair Ross

LondresThe Art of the Harpsichord

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Bach, Telemann, Haendel, von Bayreuth, Laschanzky, Pasquini
Academy of Ancient Music; Laurence Cummings; Alastair Ross

CambridgeSeptet: Beethoven & Hummel

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Hummel, Beethoven
Academy of Ancient Music; Laurence Cummings
Critiques récentesEn voir plus...

Au Theater Basel, le sacre de Poppée à l’heure de la Realpolitik

Le Couronnement de Poppée au Theater Basel © Ingo Höhn
Le metteur en scène suisse frappe très fort en se livrant comme rarement sur ses craintes géopolitiques, dans une production qui fait de l'œuvre de Monteverdi un fascinant manifeste d’ascétisme, d’austérité, d’aridité.

Le ravissement de Semele à Londres

À la Royal Academy of Music, Semele de Händel offre une expérience jubilatoire et rafraîchissante. Mise en scène ingénieuse et jeunes chanteurs talentueux sont au menu de cette production.

Monteverdi and Ulisse return happily to Garsington Opera

Ed Lyon (Ulisse) © Julian Guidera
Laurence Cummings and John Caird’s second Garsington exploration of the operas of Monteverdi brims with wonderfully playing and singing in an attractive setting.

Cummings and the AAM win ‘Leipzig's Got Talent’

Helen Charlston, Rowan Pierce, Nick Pritchard and Ben Kazez with the AAM © Mark Allan
The Academy of Ancient Music poses the question what might have been in Leipzig with stunning performances of Bach and his competitors to be the new Thomaskantor. 

Freudian slip: Handel’s Tamerlano recast as Trumpian tantrums

Jonathan Brown (Leone) © Craig Fuller
Opha Phelan’s staging presents the action as a grand, Freudian social experiment. It’s a risk – but the production is lifted by outstanding performances from the cast and the Academy of Ancient Music.

Ed Lyon excels in Monteverdi’s Songs of Love and War

Ed Lyon © Nik Pate
Tenor Ed Lyon fulfils a long-held ambition to sing Monteverdi's Eighth Book of Madrigals, conducted by his former teacher, Laurence Cummings at Milton Court.