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Performer: Laurence Cummings

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Cambridge1765: Times of Transition

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Mozart, Philidor, Haydn, Telemann
Academy of Ancient Music; Laurence Cummings; Amanda Forsythe

London1765: Times of Transition

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Mozart, Philidor, Haydn, Telemann
Academy of Ancient Music; Laurence Cummings; Amanda Forsythe

LondonL'incoronazione di Poppea

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Monteverdi: L'incoronazione di Poppea, SV 308
Laurence Cummings; Academy of Ancient Music; Ed Lyon; Anna Dennis; Katie Bray

CambridgeThe Art of the Harpsichord

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Bach, Telemann, Handel, von Bayreuth, Laschanzky, Pasquini
Academy of Ancient Music; Laurence Cummings; Alastair Ross

LondonThe Art of the Harpsichord

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Bach, Telemann, Handel, von Bayreuth, Laschanzky, Pasquini
Academy of Ancient Music; Laurence Cummings; Alastair Ross

CambridgeSeptet: Beethoven & Hummel

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Hummel, Beethoven
Academy of Ancient Music; Laurence Cummings
Latest reviewsSee more...

Monteverdi and Ulisse return happily to Garsington Opera

Ed Lyon (Ulisse) © Julian Guidera
Laurence Cummings and John Caird’s second Garsington exploration of the operas of Monteverdi brims with wonderfully playing and singing in an attractive setting.
****1
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Cummings and the AAM win ‘Leipzig's Got Talent’

Helen Charlston, Rowan Pierce, Nick Pritchard and Ben Kazez with the AAM © Mark Allan
The Academy of Ancient Music poses the question what might have been in Leipzig with stunning performances of Bach and his competitors to be the new Thomaskantor. 
*****
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Freudian slip: Handel’s Tamerlano recast as Trumpian tantrums

Jonathan Brown (Leone) © Craig Fuller
Opha Phelan’s staging presents the action as a grand, Freudian social experiment. It’s a risk – but the production is lifted by outstanding performances from the cast and the Academy of Ancient Music.
***11
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Ed Lyon excels in Monteverdi’s Songs of Love and War

Ed Lyon © Nik Pate
Tenor Ed Lyon fulfils a long-held ambition to sing Monteverdi's Eighth Book of Madrigals, conducted by his former teacher, Laurence Cummings at Milton Court.
*****
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An acrobatic Orpheus and Eurydice in Edinburgh

Orpheus and Eurydice © Jess Shurte
The music plays second fiddle to Australian circus company Circa in Yaron Lifschitz’s production of Gluck's great opera. 
***11
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Strong team for a Good Friday St John Passion

The Academy of Ancient Music © Benjamin Ealovega
The greatest music of the 18th century – no arguments, please – is given a fine reading at London's Barbican. 
****1
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