Stylish and stirring: Turn It Out With Tiler Peck & Friends

Tiler Peck in William Forsythe's The Barre Project (Blake Works II)

Jeffrey Cirio in William Forsythe's The Barre Project (Blake Works II)

Tomash, Wai Chan, Bradley, Grant, Starner and Nadon in Tiler Peck's Thousandth Orange

Tiler Peck and Roman Mejia in Alonzo King's Swift Arrow

India Bradley in Time Spell by Tiler Peck, Michelle Dorrance and Jillian Meyers

India Bradley, Quinn Starner, Tiler Peck and Mira Nadon in Time Spell

Por Carla Escoda, 20 octubre 2025

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“there remained a heroic quality to the performance on opening night, with nerves of steel required”

Crítica hecha desde New York City Center, Nueva York el 16 octubre 2025

The Barre Project (Blake Works II) (William Forsythe)

Thousandth Orange (Tiler Peck)

Swift Arrow (Alonzo King)

Time Spell (Tiler Peck, Michelle Dorrance, Jillian Meyers)

Tiler Peck, Bailarín

Roman Mejia, Bailarín

India Bradley, Bailarín

Christopher Grant, Bailarín

Lex Ishimoto, Bailarín

Michelle Dorrance, Bailarín

Jillian Meyers, Bailarín

Byron Tittle, Bailarín

Mira Nadon, Bailarín

Chun Wai Chan, Bailarín

Ryan Tomash, Bailarín

Quinn Starner, Bailarín

Jeffrey Cirio, Bailarín

La CND da un salto cuántico con Forsythe

Eduardo López-Collazo, 30th April

Sólo una duda se respira con el encendido final de la luz... ¿Qué será lo próximo?

*****

Trois Forsythe inégaux par le Ballet de l'Opéra national du Rhin

Julie Jozwiak, 26th April

Si Trio et Quintett suscitent quelques interrogations, Enemy in the Figure est le clou de la soirée – mais il manque dans l'interprétation cette déflagration esthétique typique de Forsythe.

***11

Turn It Out with Tiler Peck & Friends: bubbling over with passion

Amanda Jennings, 12th March

Last seen in London in 2023, Turn It Out with Tiler Peck & Friends made a hugely welcome return with the same programme, differently ordered.

****1

Foreseeable Future is aimless movement to aimless music at NYCB

Ivy Lin, 9th October

Some excellent individual performances but a disappointing program for Contemporary Choreography I with New York City Ballet.

**111

The Australian Ballet in Melbourne: three prismatic worlds

Ruth Ridgway, 4th October

In its triple bill Prism, The Australian Ballet gives the audience three different dance and sound worlds as well as showcasing fleet, athletic and precise dancing.

****1

ENB: R:Evolution showcases tenacity, legacy and talent

Deborah Weiss, 1st October

English National Ballet opens its season at Sadler’s Wells with a quadruple bill showcasing the versatility, virtuosity and endless capabilities of the company throughout the ranks.

****1

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Carla Escoda

Born in the Philippines, Carla trained as a ballet and modern dancer with the Alice Reyes Dance Company in Manila. She has lived and worked in Asia and the U.S. and has written about the arts for Bachtrack, KQED (the northern California public media broadcaster), Dance International, dance journal/hk, the Huffington Post, Dance Europe and ballettothepeople.