Dancer as Curator: Zakharova's Amore

Por Alexandra Desvignes, 23 noviembre 2017

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“a true meeting of two distinct movers who have profound respect for each other’s dancing”

Crítica hecha desde The London Coliseum, Londres el 21 noviembre 2017

Francesca da Rimini (Yuri Possokhov)

The Rain before it Falls (Patrick De Bana)

Strokes through the tail (Marguerite Donlon)

Svetlana Zakharova, Bailarín

Mikhail Lobukhin, Bailarín

Denis Savin, Bailarín

Patrick De Bana, Bailarín

Alexei Gainutdinov, Bailarín

Ekaterina Besedina, Bailarín

Anton Gainutdinov, Bailarín

Olga Barichka, Bailarín

Denis Rodkin, Bailarín

Karim Abdulin, Bailarín

Ana Turazashvili, Bailarín

Ekaerina Smurova, Bailarín

Ekaterina Karpova, Bailarín

Lucía Lacarra y Matthew Golding nos acercan las distancias

Jorge Baeza Stanicic, 23rd January

Lucía Lacarra y Matthew Golding, también afectados por la separación forzada, proponían una unificación de coreografías preexistentes en un todo unitario para compartir su experiencia vital, fusionando sus movimientos con imágenes proyectadas en pantalla y con una selección musical de carácter íntimo y profundo.

*****

Atlanta Ballet shines in a mixed contemporary program

Rebecca Ehrhardt, 3rd April

Atlanta Ballet's Golden Hour program featured two world premieres and the Atlanta premiere of Christopher Wheeldon's Within the Golden Hour.

*****

A timely new Eugene Onegin opens the San Francisco Ballet season

Terez Rose, 23rd January

Yuri Possokhov’s reimagining of the classic based on Alexander Pushkin’s iconic 19th century novel, succeeds brilliantly in a masterful season opener and world premiere for the San Francisco Ballet.

****1

Fearless and theatrical: Tulsa Ballet visit Bonn for the first time

Vikki Jane Vile, 21st May

Tulsa Ballet has only toured internationally six times in their 70 year history. This year, they wrapped up in Bonn, the lucky city to host From Ballet to Broadway.

****1

The Australian Ballet celebrates 60 years with style and star turns!

Deborah Weiss, 6th August

The Australian Ballet's return to London's Royal Opera House after a 35 year absence, proves successful at every level.

****1

Slick but disjointed Anna Karenina premieres in Sydney

Chantal Nguyen, 5th April

Yuri Possokhov's Anna Karenina aims to be a dark psychological drama, but its uneven character development and unengaging choreography fail to satisfy.

***11

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Alexandra Desvignes

Alexandra was previously Bachtrack's Dance Editor. She trained as a professional dancer both in Paris and London and has performed for various ballet, opera, commercial and film productions, as well as independent projects. She studied Literature and Art History at the Open University. previously worked as Bachtrack's press coordinator, and continues to write for Bachtrack, in London and in Paris. She has previously contributed to English National Ballet's blog.

Svetlana Zakharova: Dancer turned curator in the name of Love