Shadows and light: Ballet BC

Eduardo Jimenez Cabrera in Crystal Pite's Frontier

Jacalyn Tatro and Rae Srivastava in Crystal Pite's Frontier

Ballet BC in Johan Inger's Passing

Michael Garcia in Johan Inger's Passing

Por Zoë Anderson, 21 mayo 2025

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“He’s like the unacknowledged, black-clad stage hands of Kabuki theatre, there and not-there”

Crítica hecha desde Sadler's Wells Theatre, Londres el 20 mayo 2025

Passing (Johan Inger)

Frontier (Crystal Pite)

Ballet BC

Inocencia, seducción y violencia en la Carmen de Johan Inger

Cintia Borges Carreras, 22nd November

La CND ha ofrecido una visión contemporánea de Carmen a través de un enérgico trabajo grupal, en el que Everhart, Vervoort y Peretz manifiestan la singularidad expresiva de su danza.

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Una Carmen con distinto acento en los Teatros del Canal

Eduardo López-Collazo, 15th June

La CND presenta en Madrid Carmen, del coreógrafo Johan Inger, en un nuevo enfoque del mito de la cigarrera que ha ganado el premio Benois de la Danse. Los bailarines Daan Vervoot y Kayoko Everhart dan vida magistralmente a los protagonistas y la Orquesta Sinfónica Verum acompaña desde el foso.

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Kismet: Rambert’s new double bill brings youthful joy to Edinburgh

Kathy Elgin, 3rd July

Rambert’s double bill, clearly a joyous experience for the many who leaped to their feet whooping, but perhaps a bit lightweight for anyone not quite so easily satisfied with novelty.

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Hubbard Street Dance Chicago on the road, dancing impeccably

Carla Escoda, 25th March

A mixed bill with mixed results from Hubbard Street Dance Chicago at the Joyce Theater in New York.

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Rentrée en demi-teinte pour le Ballet de l’Opéra de Paris

Laurine Mortha, 10th October

Avec un défilé, des adieux, une pièce très oubliable, deux nouveautés et la reprise de Blake Works I, la rentrée des danseurs de la Grande Boutique a été contrastée.

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Johan Inger’s Carmen: see what you made me do

Katie Lawrence, 10th April

Swedish choreographer, Johan Inger, reimagines Carmen for The Australian Ballet, and purports to flip the script on "toxic masculinity" and the 200 year old tale of power and passion.

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Zoë Anderson

Zoë Anderson is a dance critic and writer. She is the author of The Royal Ballet: 75 Years (Faber) and The Ballet Lover’s Companion (Yale). She has written for The Independent, the i newspaper, the Times Literary Supplement, The Wall Street Journal, and other publications.